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Performer: Dwight Rhoden

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New York CityComplexions Contemporary Ballet

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Verschiedene: Mixed Programme
Dwight Rhoden; Jillian Davis; Tommie Waheed Evans; Complexions Contemporary Ballet
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Misty Copeland eyes a future for ballet at the Joyce Theater

Paris Opera’s Sae Eun Park and Guillaume Diop in Romeo and Juliet © Steven Pisano
A triumphant world premiere from a young choreographer. A poor choice of pas de deux for Paris Opera étoiles. Three bracing solos. A strenuously sexy duet: Misty Copeland’s Ballet Festival.
****1
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Un Gatsby tout sauf great aux Folies Bergère

The Great Gatsby chorégraphié par Dwight Rhoden © Zura Pirtskhalaishvili
Malgré une distribution exceptionnelle et des ensembles réussis, le spectacle déçoit par sa construction narrative peu claire, ses vidéos de mauvais goût et sa musique envahissante.
**111
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Fall for Dance Program 2: three newcomers

Complexions Contemporary Ballet in Dwight Rhoden's For Crying Out Loud © Steven Pisano
A new work full of meaning in Fall for Dance's second mixed bill dominated the performance.
***11
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An adrenaline-fueled evening from Complexions Contemporary Ballet

April Watson and Joe González from Complexions Contemporary Ballet © Rachel Neville
Two stimulating world premieres from Dwight Rhoden and Jenn Freeman, plus outstanding dancing, as always, from the powerful dancers of Complexions Contemporary Ballet at the Joyce Theater. 
****1
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Pennsylvania Ballet demonstrates Resilience in digital mixed bill

George Balanchine’s short-but-thrilling ballet Allegro Brillante is tailor-made to Mayara Piniero’s talents in Philadelphia. 
****1
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The final program in SF Ballet's Unbound festival

Sofiane Sylve and Tiit Helimets in Liang's The Infinite Ocean © Erik Tomasson
Most of the pieces were choreographed at a similarly demanding level, with speed, precision and immaculate timing as necessities.
****1
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