An adrenaline-fueled evening from Complexions Contemporary Ballet

April Watson and Joe González from Complexions Contemporary Ballet

Alberto Andrade from Complexions Contemporary Ballet

Joe González from Complexions Contemporary Ballet

Von Carla Escoda, 17 November 2023

Laden, bitte warten...

Veranstaltung anzeigen

“stuttering angular movements, limbs momentarily frozen in crooked extensions”

Rezensierte Veranstaltung: Joyce Theater, New York City, am 15 November 2023

Ballad Unto (Dwight Rhoden)

Love Fear Loss (Ricardo Amarante)

Regardless (Jenn Freeman)

For Crying Out Loud (Dwight Rhoden)

Complexions Contemporary Ballet

Joe Gonzalez, Tanz

Alex Haquia, Tanz

Angelo De Serra, Tanz

Jillian Davis, Tanz

Kobe Atwood Courtney, Tanz

Jacopo Calvo, Tanz

Chloe Duryea, Tanz

Vincenzo Di Primo, Tanz

Christian Burse, Tanz

Candy Tong, Tanz

Price McGuffey, Schlagzeug

Un Gatsby tout sauf great aux Folies Bergère

Iris Régnier, 8th November

Malgré une distribution exceptionnelle et des ensembles réussis, le spectacle déçoit par sa construction narrative peu claire, ses vidéos de mauvais goût et sa musique envahissante.

**111

Fall for Dance Program 2: three newcomers

Carla Escoda, 21st September

A new work full of meaning in Fall for Dance's second mixed bill dominated the performance.

***11

Pennsylvania Ballet demonstrates Resilience in digital mixed bill

Ivy Lin, 29th April

George Balanchine’s short-but-thrilling ballet Allegro Brillante is tailor-made to Mayara Piniero’s talents in Philadelphia.

****1

The final program in SF Ballet's Unbound festival

Jaime Robles, 26th April

Most of the pieces were choreographed at a similarly demanding level, with speed, precision and immaculate timing as necessities.

****1

Ballet Across America, curated by Misty Copeland

Hilary Stroh, 19th April

Misty Copeland curates the first of a richly diverse programme celebrating American dance

****1

“Tyger Desmond, burning bright”

Andrew Blackmore-Dobbyn, 20th November

Desmond Richardson remains indelibly powerful but Dwight Rhoden's choreography wears thin in large doses.

***11

Weitere Kritiken...

Carla Escoda

Born in the Philippines, Carla trained as a ballet and modern dancer with the Alice Reyes Dance Company in Manila. She has lived and worked in Asia and the U.S. and has written about the arts for Bachtrack, KQED (the northern California public media broadcaster), Dance International, dance journal/hk, the Huffington Post, Dance Europe and ballettothepeople.