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Artiste: Dwight Rhoden

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New YorkComplexions Contemporary Ballet

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compositeurs divers: Mixed Programme
Dwight Rhoden; Jillian Davis; Tommie Waheed Evans; Complexions Contemporary Ballet
Critiques récentesEn voir plus...

Un Gatsby tout sauf great aux Folies Bergère

The Great Gatsby chorégraphié par Dwight Rhoden © Zura Pirtskhalaishvili
Malgré une distribution exceptionnelle et des ensembles réussis, le spectacle déçoit par sa construction narrative peu claire, ses vidéos de mauvais goût et sa musique envahissante.

Misty Copeland eyes a future for ballet at the Joyce Theater

Paris Opera’s Sae Eun Park and Guillaume Diop in Romeo and Juliet © Steven Pisano
A triumphant world premiere from a young choreographer. A poor choice of pas de deux for Paris Opera étoiles. Three bracing solos. A strenuously sexy duet: Misty Copeland’s Ballet Festival.

Fall for Dance Program 2: three newcomers

Complexions Contemporary Ballet in Dwight Rhoden's For Crying Out Loud © Steven Pisano
A new work full of meaning in Fall for Dance's second mixed bill dominated the performance.

An adrenaline-fueled evening from Complexions Contemporary Ballet

April Watson and Joe González from Complexions Contemporary Ballet © Rachel Neville
Two stimulating world premieres from Dwight Rhoden and Jenn Freeman, plus outstanding dancing, as always, from the powerful dancers of Complexions Contemporary Ballet at the Joyce Theater. 

Pennsylvania Ballet demonstrates Resilience in digital mixed bill

George Balanchine’s short-but-thrilling ballet Allegro Brillante is tailor-made to Mayara Piniero’s talents in Philadelphia. 

The final program in SF Ballet's Unbound festival

Sofiane Sylve and Tiit Helimets in Liang's The Infinite Ocean © Erik Tomasson
Most of the pieces were choreographed at a similarly demanding level, with speed, precision and immaculate timing as necessities.