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Performer: Ellen Ruge

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StockholmLe Corsaire

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Adam: Le Corsaire
Marius Petipa; José Martínez; Royal Swedish Ballet; Catherine Larsen-Maguire; Marie í Dali; Ellen Ruge

TokyoCity LightsUraufführung

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Chaplin: City Lights
Alastair Marriott; National Ballet of Japan; Timothy Brock; Misato Tomita; Dick Bird

BerlinCarmen

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Bizet: Carmen
Anna Handler; Ole Anders Tandberg; Deutsche Oper Berlin; Erlend Birkeland; Maria Geber; Ellen Ruge; Orchester der Deutschen Oper Berlin

OsloLe nozze di Figaro (The Marriage of Figaro)Neuinszenierung

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Mozart: Le nozze di Figaro (Die Hochzeit des Figaro)
Ottavio Dantone; Matthew Wild; Norwegian National Opera; Katrin Lea Tag; Ellen Ruge; Norwegian National Opera Orchestra
Neue Kritikenmehr...

Den Atem stocken lassen: der neue Ballettabend in Stuttgart

Drei Werke von Akram Khan, Johan Inger und Itzik Galili schaffen einen atemberaubenden Abend.
*****
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Echo of a silent scream: Asle and Alida premieres in Bergen

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Jon Fosse's bleak tale of alienation is graced with fine performances from a strong cast and excellent playing by the Bergen Philharmonic Orchestra under Johannes Gustavsson.
***11
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A strikingly colourful Ariadne auf Naxos from Nederlandse Reisopera

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Juliana Zara and Annemarie Kremer lead the cast in a riotous, yet deeply touching, new production from Nederlandse Reisopera. 
****1
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La fougue exaltante des jeunes talents du NDT 2

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Le Nederlands Dans Theater 2 est en tournée à la Grande Halle de la Villette avec deux œuvres de tonalité différente : Out of Breath de Johan Inger et la création endiablée Bedtime story, de Nadav Zelner.
****1
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Illuminating history-makers: Nixon in China lands in Madrid

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John Adams’ opera about Richard Nixon’s historic meeting with Mao Tse-Tung is performed with all round excellence, with a real find on the podium in the shape of Olivia Lee-Gunderman.
****1
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Ek and Ekman's subversive double bill is enjoyable madness

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The latest double bill from Staatsballett Berlin features witty, high energy and thought provoking works by Mats Ek and Alexander Ekman, though the audience may not fathom their meaning.
***11
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