Ambrogio Maestri gibt Budapester Falstaff Auftrieb

Von David Karlin, 23 Mai 2016

Laden, bitte warten...

Veranstaltung anzeigen

“Maestri schien den Rest des Ensembles mit dem Geist des Werkes anzustecken”

Rezensierte Veranstaltung: Erkel Színház (Erkel Theatre), Budapest, am 22 Mai 2016

Verdi, Falstaff

Hungarian State Opera

Balázs Kocsár, Musikalische Leitung

Arnaud Bernard, Regie, Bühnenbild, Kostüme

Ambrogio Maestri, Sir John Falstaff

Gunyong Na, Ford

Péter Balczó, Fenton

Beatrix Fodor, Alice Ford

Bernadett Wiedemann, Mistress Quickly

Bori Keszei, Nannetta

Erika Gál, Meg Page

János Szerekován, Bardolfo (Bardolph)

Géza Gábor, Pistola

Zoltán Megyesi, Dr. Caius

Budapest Philharmonic Orchestra

Hungarian State Opera Chorus

Glänzende Turandot an der Ungarischen Staatsoper

Jenny Camilleri, 30th January

Aufregend dirigiert und überwiegend gut gesungen sollte diese üppige aber schnörkellose Turandot sowohl Traditionalisten und abenteuerlustige Operngänger erfreuen.

***11

All that glitters is not gold in Budapest's new Lohengrin

Orsolya Gyárfás, 16th November

Klára Kolonits's radiant Elsa proves the main attraction in the Hungarian State Opera's visually appealing but conceptually lacking new Lohengrin.

**111

A thrilling, opulent La Bayadère at Hungarian National Ballet

Gianmarco Segato, 14th June

Hungarian National Ballet's La Bayadère revitalizes tradition with a new reconstruction of its forgotten final act.

*****

Visually splendid, dramatically parched La Gioconda in Budapest

Gianmarco Segato, 11th June

Hungarian State Opera's cut-down, dramatically inert Gioconda fails to ignite the stage in Budapest, despite a solid musical foundation.

***11

Stumbling towards the chopping block: Maria Stuarda in Budapest

Orsolya Gyárfás, 14th May

Martin Rajna's energetic conducting and Gabriella Balga's glorious Elisabetta are the bright spots in this flashy but empty house premiere of Donizetti's classic.

**111

Hungarian National Ballet: a tremendously witty Merry Widow

Deborah Weiss, 12th February

Hungarian National Ballet strike a delightful balance between lighthearted comedy and technical assurance in Ronald Hynd's The Merry Widow.

****1

Weitere Kritiken...

David Karlin

David is a co-founder of Bachtrack. He is a musical omnivore interested in almost all types of music, but with a particular love of Italian opera. You can contact him from this link.