Neue Kritikenmehr...
Nicht perfekt, aber unterhaltsam: L'elisir d’amore in Turin
Die gestreamte Vorstellung von Donizettis Oper aus dem Teatro Regio hätte noch deutlich Luft nach oben gehabt, war aber dennoch charmant.
Salieris La fiera di Venezia: eine Himmelfahrtsmesse in Leverkusen
Orchester, Chor und Solisten machen dieses vergessene Lustspiel wieder zu dem, was es war: einem Opernerfolg.
Mascagni's Le maschere struggles to take flight in Wexford opener
Excellent singing, an amusing production and lively staging showcases Mascagni's Le maschere in the best possible light at Wexford Festival Opera.
Not quite a premiere, not quite a success: Salieri’s Kublai Khan
Martin G Berger exhaustively reworks the story and the libretto of Salieri's Cublai, gran kan de' Tartari and throws the kitchen sink at this new production, but not everything lands well.
Natalie Aroyan saves opening night of Adriana Lecouvreur in Sydney
The Armenian-Australian soprano steps in for an indisposed Ermonela Jaho in Rosetta Cucchi's staging of Cilea's verismo masterpiece.
Not so hot off the press: La gazzetta returns to Pesaro
Rossini's 1816 farce fails to make a splash as Marco Carniti's frenetic staging returns to Pesaro.
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Reggio EmiliaL'italiana in AlgeriNeuinszenierung
Rossini: L'italiana in Algeri
Alessandro Cadario; Fabio Cherstich; I Teatri di Reggio Emilia; Nicolas Bovey; Arthur Arbesser; Alessandro Pasqualini; Orchestra dell'Emilia Romagna Arturo Toscanini