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Performer: Idunnu Münch

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LondonTo Die For (A Comedy)

© Nederlandse Riesopera
Langer: To Die For (A Comedy)
Adrian Kelly; Sam Brown; De Nederlandse Reisopera; Grace Smart; Linus Fellbom; Symphony Orchestra Phion
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Moderner Terror: Salome in Stuttgart

Regisseur Kirill Serebrennikov bietet uns in seiner Neuproduktion von Salome eine erschreckende, neue Realtiät der modernen, von Krieg und Terrorosmus befallenen Welt.
****1
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Opera Ballet Vlaanderen’s Parsifal: digital drama, celestial singing

Albert Dohmen (Gurnemanz), Christopher Sokolowski (Parsifal) and Dshamilja Kaiser (Kundry) © OBV | Annemie Augustijns
Digital projections make Opera Ballet Vlaanderen’s Parsifal seem alienating and strange, but the singing is terrific and the orchestra sounds sensational.
***11
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Justice in Geneva: musically appealing but missing its mark

Justice © Grand Théâtre de Genève | Carole Parodi
Director Milos Rau, composer Hèctor Parra and librettist Fiston Mwanza Mujila put the operatic spotlight on the fight for justice after a mining disaster in the DRC, with mixed results.
**111
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A neglected Schubert masterpiece from the Scottish Chamber Orchestra

Scottish Chamber Orchestra Chorus © Christopher Bowen
Two short choral works and a Bach double violin concerto introduce Schubert’s neglected masterpiece, his Mass in A flat major. 
****1
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Blue, Jeanine Tesori's new opera on urban violence, comes to ENO

Kenneth Kellogg (The Father) and Ronald Samm (The Reverend) © Zoe Martin
Blue could hardly have been better rendered than here. Indeed, I wish every opera I see could be staged with such grace and finesse. 
***11
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Lucid in music and narrative: ENO's Rhinegold

John Relyea (Wotan) © English National Opera | Marc Brenner
Martyn Brabbins conducts an excellent ENO orchestra and consistently good ensemble cast as Richard Jones delivers a wealth of narrative detail to introduce Wagner's Ring.
****1
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