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Artiste: Idunnu Münch

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LondresTo Die For (A Comedy)

© Nederlandse Riesopera
Langer: To Die For (A Comedy)
Adrian Kelly; Sam Brown; De Nederlandse Reisopera; Grace Smart; Linus Fellbom; Symphony Orchestra Phion
Critiques récentesEn voir plus...

Opera Ballet Vlaanderen’s Parsifal: digital drama, celestial singing

Albert Dohmen (Gurnemanz), Christopher Sokolowski (Parsifal) and Dshamilja Kaiser (Kundry) © OBV | Annemie Augustijns
Digital projections make Opera Ballet Vlaanderen’s Parsifal seem alienating and strange, but the singing is terrific and the orchestra sounds sensational.

Justice in Geneva: musically appealing but missing its mark

Justice © Grand Théâtre de Genève | Carole Parodi
Director Milos Rau, composer Hèctor Parra and librettist Fiston Mwanza Mujila put the operatic spotlight on the fight for justice after a mining disaster in the DRC, with mixed results.

A neglected Schubert masterpiece from the Scottish Chamber Orchestra

Scottish Chamber Orchestra Chorus © Christopher Bowen
Two short choral works and a Bach double violin concerto introduce Schubert’s neglected masterpiece, his Mass in A flat major. 

Blue, Jeanine Tesori's new opera on urban violence, comes to ENO

Kenneth Kellogg (The Father) and Ronald Samm (The Reverend) © Zoe Martin
Blue could hardly have been better rendered than here. Indeed, I wish every opera I see could be staged with such grace and finesse. 

Lucid in music and narrative: ENO's Rhinegold

John Relyea (Wotan) © English National Opera | Marc Brenner
Martyn Brabbins conducts an excellent ENO orchestra and consistently good ensemble cast as Richard Jones delivers a wealth of narrative detail to introduce Wagner's Ring.

Richard Jones’ second London Ring falters at the first fence

Breastplates are back in vogue, but comedy horses and cheap production values undermine the first chapter in English National Opera's new Ring cycle.