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Performer: James Newby

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LondonColin Alexander, des Prez, Dunstaple and more

Wigmore Hall
Oliveros, Agar, Dunstable, des Prez, Alexander, Werner, Byrd, Gibbons
Héloïse Werner; Ema Nikolovska; Adèle Charvet; Karim Sulayman

LondonJames Newby / Joseph Middleton

Wigmore Hall
Schubert
James Newby; Joseph Middleton

LondonLaurence Kilsby / Toby Spence / James Newby / James Baillieu

Wigmore Hall
Britten
Laurence Kilsby; Toby Spence; James Newby; James Baillieu

AntwerpWinterreiseUraufführung

Opera Ballet Vlaanderen
Schubert: Winterreise
Trajal Harrell; Opera Ballet Vlaanderen; Erik Flatmo; Stéfane Perraud

GhentWinterreise

Opera Ballet Vlaanderen
Schubert: Winterreise
Trajal Harrell; Opera Ballet Vlaanderen; Erik Flatmo; Stéfane Perraud

MadridSinfónico 13 - Orquesta y Coro Nacionales de España

Listing filler
Strauss R., Mahler
Orquesta Nacional de España; Vasily Petrenko; Coro Nacional de España; Pedro Jorge; Mira Alkhovik; Teresa Iervolino
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The Best of All Possible Satires: Candide erstrahlt in Wien

Ben McAteer (Pangloss), James Newby, Nikola Hillebrand, Matthew Newlin und Tatiana Kuryatnikova © Werner Kmetitsch
Lydia Steiers neue Inszenierung von Candide ist ein kaleidoskopisches Fest von Leonard Bernsteins vielfältigen musikalischen Idiomen.
*****
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Utter joy: Grange Park Opera’s new Barbiere is a hit

Nico Darmanin (Almaviva) and Simon Bailey (Doctor Bartolo) © Marc Brenner
With an excellent cast and superb musicianship from the pit, Bruno Ravella's new production of Rossini's beloved comedy knocks it out of the park for Grange Park Opera.
*****
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Pelly signe un Songe de l’étoffe d’un rêve à Lausanne

Le Songe d'une nuit d'été à l'Opéra de Lausanne © Opéra de Lausanne | Carole Parodi
La mise en scène par Laurent Pelly vient réparer un manque : le chef-d’œuvre onirique et féérique de Britten n'avait encore jamais été donné dans l’opéra de la capitale vaudoise.
****1
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Garsington Opera's new A Midsummer Night's Dream

Iestyn Davies (Oberon) and Lucy Crowe (Tytania) © Craig Fuller
In the first and last acts, ladies entered with a train still attached to a bolt of cloth, which was then cut to length by an attendant. Was this production brought to the stage in a great hurry, allowing no time for costume fittings? 
***11
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Exalted Messiah: The Sixteen and Harry Christophers

Harry Christophers and The Sixteen © Simon Jay Price
How do you conduct the same over-familiar work for the 200th time, and make it sound quite new?
*****
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In Time of Plague: Turnage’s Greek takes on new topicality

Reminding us of the timeless relevance of myth, Joe Hill-Gibbons’s Scottish Opera production of Greek moves to Hannover with a few contemporary twists.
****1
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