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Performer: Kirill Karabits

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LondonJasdeep Singh Degun's Second Sitar Concerto

BBC Symphony Orchestra
Singh Degun, Prokofjew
BBC Symphony Orchestra; Kirill Karabits; Jasdeep Singh Degun; Sukhvinder Singh Namdari

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© Bournemouth Symphony Orchestra
Khachaturian, Berio, Respighi
Bournemouth Symphony Orchestra; Kirill Karabits; Rihab Chaieb

BristolRoman Snapshots

© Bournemouth Symphony Orchestra
Khachaturian, Tschaikowsky, Respighi
Bournemouth Symphony Orchestra; Kirill Karabits; Hugo Svedberg

LondonTchaikovsky 2

© Mark Allan & Simon Fowler
Akimenko, Strawinsky, Tschaikowsky
Royal Philharmonic Orchestra; Kirill Karabits; Liya Petrova

BregenzLa traviataNeuinszenierung

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Verdi: La traviata
Kirill Karabits; Damiano Michieletto; Pietro Rizzo; Paolo Fantin; Carla Teti; Alessandro Carletti
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Rasantes Gelage: Roméo et Juliette am MusikTheater an der Wien

Julien Behr (Roméo) und Mélissa Petit (Juliette) © Monika Rittershaus
Marie-Eve Signeyrole inszeniert am MTadW erneut ein Stück mit starkem Fokus auf cineastische Elemente und sorgt damit für wenig Überraschung.
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Elgarian emotion from the Benedetti, Karabits and the RSNO

Nicola Benedetti and the Royal Scottish National Orchestra © Sally Jubb
Nicola Benedetti’s Elgar is a slow burn in Edinburgh’s Usher Hall, but Kirill Karabits’ Firebird instantly ignites.
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Karabits and Szeps-Znaider carouse with the LPO

Kirill Karabits © Konrad Cwik
The sparkle of Max Bruch's Fecond Violin Concerto and the drama of Beethoven's Pastoral Symphony overcome the gloom of Anna Thorvaldsdottir’s dark forebodings. 
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La Clémence de Titus, une campagne électorale sous tension à Nice

La Clémence de Titus à l'Opéra de Nice © Julien Perrin
Si la lecture proposée par Clarac et Deloeuil est plausible, sa réalisation scénique ne tient pas toutes ses promesses. Mais l’exécution musicale du chef-d’œuvre de Mozart offre de belles satisfactions.
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Romeo and Juliet without the tragedy? Karabits and the CBSO

Kirill Karabits conducts the CBSO © Jonathan Ferro
Kirill Karabits leads the CBSO in an evening exploring Romeo and Juliet that shies away from real tragedy in favour of having fun. 
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Khatia Buniatishvili à la recherche de ses doigts perdus

Khatia Buniatishvili et l'Orchestre de Paris © Ondine Bertrand
Le Concerto n° 2 de Rachmaninov a viré au naufrage pour la pianiste géorgienne, malgré un Orchestre de Paris et un chef (Kirill Karabits) admirables.
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© Bournemouth Symphony Orchestra
Khachaturian, Berio, Respighi
Bournemouth Symphony Orchestra; Kirill Karabits; Rihab Chaieb
Neuste Artikel

Unique and overwhelming: Kirill Karabits on Terterian’s Symphony no. 3

Kirill Karabits © Mark Allan
Bournemouth Symphony Orchestra’s chief conductor talks about a remarkable symphony by Armenian composer Avet Terterian: “one of the most amazing pieces of music that one could experience in the concert hall.”

Pushing the limits: Kirill Karabits

The Chief Conductor of the BSO reflects on his achievements to date, creating a hunger for more adventurous repertoire and bringing to the stage a long-lost work by Franz Liszt. 

A tenth season for Kirill Karabits at Bournemouth

From Mahler’s Resurrection to Elgar's Gerontius, a season of great works brought to venues in the Southwest.