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LondonTchaikovsky 2
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Akimenko, Strawinsky, Tschaikowsky
Royal Philharmonic Orchestra; Kirill Karabits; Liya Petrova
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Rasantes Gelage: Roméo et Juliette am MusikTheater an der Wien
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Marie-Eve Signeyrole inszeniert am MTadW erneut ein Stück mit starkem Fokus auf cineastische Elemente und sorgt damit für wenig Überraschung.
Elgarian emotion from the Benedetti, Karabits and the RSNO
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Nicola Benedetti’s Elgar is a slow burn in Edinburgh’s Usher Hall, but Kirill Karabits’ Firebird instantly ignites.
Karabits and Szeps-Znaider carouse with the LPO
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The sparkle of Max Bruch's Fecond Violin Concerto and the drama of Beethoven's Pastoral Symphony overcome the gloom of Anna Thorvaldsdottir’s dark forebodings.
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Unique and overwhelming: Kirill Karabits on Terterian’s Symphony no. 3
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Bournemouth Symphony Orchestra’s chief conductor talks about a remarkable symphony by Armenian composer Avet Terterian: “one of the most amazing pieces of music that one could experience in the concert hall.”
Pushing the limits: Kirill Karabits
The Chief Conductor of the BSO reflects on his achievements to date, creating a hunger for more adventurous repertoire and bringing to the stage a long-lost work by Franz Liszt.
A tenth season for Kirill Karabits at Bournemouth
From Mahler’s Resurrection to Elgar's Gerontius, a season of great works brought to venues in the Southwest.