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Artiste: Kirill Karabits

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LondresJasdeep Singh Degun's Second Sitar Concerto

BBC Symphony Orchestra
Singh Degun, Prokofiev
BBC Symphony Orchestra; Kirill Karabits; Jasdeep Singh Degun; Sukhvinder Singh Namdari

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© Bournemouth Symphony Orchestra
Khatchatourian, Berio, Respighi
Bournemouth Symphony Orchestra; Kirill Karabits; Rihab Chaieb

BristolRoman Snapshots

© Bournemouth Symphony Orchestra
Khatchatourian, Tchaïkovski, Respighi
Bournemouth Symphony Orchestra; Kirill Karabits; Hugo Svedberg

LondresTchaikovsky 2

© Mark Allan & Simon Fowler
Akimenko, Stravinsky, Tchaïkovski
Royal Philharmonic Orchestra; Kirill Karabits; Liya Petrova

BregenzLa traviataNouvelle production

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Verdi: La Traviata
Kirill Karabits; Damiano Michieletto; Pietro Rizzo; Paolo Fantin; Carla Teti; Alessandro Carletti
Critiques récentesEn voir plus...

La Clémence de Titus, une campagne électorale sous tension à Nice

La Clémence de Titus à l'Opéra de Nice © Julien Perrin
Si la lecture proposée par Clarac et Deloeuil est plausible, sa réalisation scénique ne tient pas toutes ses promesses. Mais l’exécution musicale du chef-d’œuvre de Mozart offre de belles satisfactions.

Khatia Buniatishvili à la recherche de ses doigts perdus

Khatia Buniatishvili et l'Orchestre de Paris © Ondine Bertrand
Le Concerto n° 2 de Rachmaninov a viré au naufrage pour la pianiste géorgienne, malgré un Orchestre de Paris et un chef (Kirill Karabits) admirables.

Kirill Karabits et Maximilian Hornung à l’ONF : une vague de fougue slave envahit la Maison de la Radio

Concert de l’ONF en faveur du Sidaction sous la baguette de Kirill Karabits, remplaçant Semyon Bychkov. Un résultat à l’expressivité rare, aussi animé que savamment nuancé.

Elgarian emotion from the Benedetti, Karabits and the RSNO

Nicola Benedetti and the Royal Scottish National Orchestra © Sally Jubb
Nicola Benedetti’s Elgar is a slow burn in Edinburgh’s Usher Hall, but Kirill Karabits’ Firebird instantly ignites.

Karabits and Szeps-Znaider carouse with the LPO

Kirill Karabits © Konrad Cwik
The sparkle of Max Bruch's Fecond Violin Concerto and the drama of Beethoven's Pastoral Symphony overcome the gloom of Anna Thorvaldsdottir’s dark forebodings. 

Romeo and Juliet without the tragedy? Karabits and the CBSO

Kirill Karabits conducts the CBSO © Jonathan Ferro
Kirill Karabits leads the CBSO in an evening exploring Romeo and Juliet that shies away from real tragedy in favour of having fun. 
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© Bournemouth Symphony Orchestra
Khatchatourian, Berio, Respighi
Bournemouth Symphony Orchestra; Kirill Karabits; Rihab Chaieb
Articles récents

Unique and overwhelming: Kirill Karabits on Terterian’s Symphony no. 3

Kirill Karabits © Mark Allan
Bournemouth Symphony Orchestra’s chief conductor talks about a remarkable symphony by Armenian composer Avet Terterian: “one of the most amazing pieces of music that one could experience in the concert hall.”

Pushing the limits: Kirill Karabits

The Chief Conductor of the BSO reflects on his achievements to date, creating a hunger for more adventurous repertoire and bringing to the stage a long-lost work by Franz Liszt. 

A tenth season for Kirill Karabits at Bournemouth

From Mahler’s Resurrection to Elgar's Gerontius, a season of great works brought to venues in the Southwest.