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La fanciulla del West revival fails to reignite the spark in Naples
Huge de Ana's staging is carefully crafted but feels dramaturgically outdated as the Teatro di San Carlo heads into the twilight of sovrintendente Stéphane Lissner’s final season.
La Forza del destino sous le ciel de Yannis Kokkos à Montpellier
Sur le vaste plateau du Corum, l'opéra de Verdi bénéficie d'une scénographie efficace, d'une direction musicale subtile et d'un bon duo Yunuet Laguna – Amadi Lagha.
Strong voices shine amidst Fuchs' superficially garish Traviata
Strong vocals from the three principal singers and a sure musical direction from young conductor Farrell help offset some of the less than convincing elements to Olivia Fuchs' production.
Plaisir vocal et musical pour Aida à Montpellier
Si le dispositif semi-scénique d'Annabel Arden convainc à moitié, la direction musicale et la distribution (avec Sunyoung Seo dans le rôle-titre) valent le détour.
An imaginative, psychological take on Catalani's Edmea in Wexford
A journey through the subconscious of the main protagonist Edmea, with Anne-Sophie Duprels as the eponymous heroine.
The resurrection of an opera: Alfano's Risurrezione in Florence
Risurrezione is a work whose value is to be found more in the orchestra than in the vocal lines, a peculiar thing for an Italian opera belonging to an epoch that gloried in enticing melodies.
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MontpellierCavalleria rusticana / Pagliacci
Mascagni, Leoncavallo
Yoel Gamzou; Silvia Paoli; Opéra Orchestre National Montpellier; Emanuele Sinisi; Agnese Rabatti; Fiammetta Baldisseri; Chœur de l'Opéra national Montpellier Occitanie