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La fanciulla del West revival fails to reignite the spark in Naples

Huge de Ana's staging is carefully crafted but feels dramaturgically outdated as the Teatro di San Carlo heads into the twilight of sovrintendente Stéphane Lissner’s final season.
Strong voices shine amidst Fuchs' superficially garish Traviata

Strong vocals from the three principal singers and a sure musical direction from young conductor Farrell help offset some of the less than convincing elements to Olivia Fuchs' production.
An imaginative, psychological take on Catalani's Edmea in Wexford
A journey through the subconscious of the main protagonist Edmea, with Anne-Sophie Duprels as the eponymous heroine.
The resurrection of an opera: Alfano's Risurrezione in Florence
Risurrezione is a work whose value is to be found more in the orchestra than in the vocal lines, a peculiar thing for an Italian opera belonging to an epoch that gloried in enticing melodies.
Bloody and marvellous Wexford double bill by Leoni and Giordano
A terrifically strong cast gives a fine rendition of two lesser heard operas: Giordano's Mala vita Leoni's L'oracolo.
A warm Mimì in a cold Bohème in Naples
Only soprano Eleonora Buratto’s Mimì added real warmth and pathos to Mario Pontiggi's staging.
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MontpellierCavalleria rusticana / Pagliacci

Mascagni, Leoncavallo
Yoel Gamzou; Silvia Paoli; Opéra Orchestre National Montpellier; Emanuele Sinisi; Agnese Rabatti; Fiammetta Baldisseri; Chœur de l'Opéra national Montpellier Occitanie
