Neue Kritikenmehr...
Antiklerisch: La forza del destino in München
Martin Kušejs Inszenierung von La forza del destino ist intelligent und trifft hart; eine unvollkommene Orchesterleistung wird von einer hervorragenden Besetzung mehr als wettgemacht.
Beware Posa! A black, bleak Don Carlo opens season at La Fenice
Maestro Myung-Whun Chung leads an almost all-Italian cast in an impressive performance of Verdi’s most ambiguous masterpiece.
Inside the mind of the Moor with Thalheimer's Otello in Antwerp
The unclear ideas and the excessive blackness in Thalheimer’s concept failed to convince, but Stoyanov and Joel’s presentation of Verdi’s score made up for those problems.
Understated elegance: Robert Carsen's sublime Bohème
Robert Carsen's understated elegance on stage counterbalances Puccini’s highly charged melodrama.
Andreas Schager triumphs in Bieito's Tannhäuser
The lack of shock value in Calixto Bieito’s interpretation of Wagner's Tannhäuser premiering at the Vlaamse Opera in Ghent could almost be seen as a disappointment. All the more surprising then was the romantic intimacy created in this superlatively sung production.
Rigoletto in Munich features good musical performances, but little else
Strong playing and singing aren't enough to make the Bayerische Staatsoper's Rigoletto a compelling evening out.
