Bachtrack logo
Termine
Alle VeranstaltungenKonzerteOperTanzKinderMeisterkurseWettbewerbeFestspiele
Kritiken
Alle KritikenKonzertkritikenOpernkritikenTanzkritiken
Artikel
Alle ArtikelReportagenInterviewsKommentarPlaylist
Neuigkeiten
Video
Video homeAlle VideosStreamsKonzerteOperTanzKinderMeisterkurseHerausgeber
Seite
Über unsKontaktVerlinkenNutzungsbedingungenCookiesDatenschutz
Young artists
Reise
TermineKritikenArtikelVideo

Cello alone: Bach, Kodály, Joan Tower and Alisa Weilerstein in a stunning program at 92Y

Alisa Weilerstein
© Joseph Sinnott
Alisa Weilerstein
© Joseph Sinnott
Von Kurt Gottschalk, 05 April 2024
Laden, bitte warten...
Veranstaltung anzeigen
“it was just me, her and Bach... presumably an audience was there as well”
Rezensierte Veranstaltung: The 92nd Street Y: Kaufmann Concert Hall, New York City, am 3 April 2024
Programm
Bach, Cellosuite Nr. 3 C-Dur, BWV1009
Kodály, Sonata for solo cello, Op.8
Tower, For Alisa
Bach, Cellosuite Nr. 1 G-Dur, BWV1007
Darsteller
Alisa Weilerstein, Cello
Weitere Konzert Kritiken
Ein Spaziergang durch die Seele des 19. Jahrhunderts
Larissa Schütz, 10th April
Alisa Weilerstein und das Mozarteumorchester Salzburg gewähren unter der Leitung von Ivor Bolton Einblick in die Vielfalt der Gedanken von Schumann und Mendelssohn.
****1
Impactante Krzystof Urbański con la Orquesta Nacional de España
Leonardo Mattana Ereño, 31st January
La Orquesta Nacional de España ofreció un concierto de gran impacto y buen trabajo orquestal bajo la dirección de Krzysztof Urbański.
****1
Piano trios x 3 from Weilerstein, Jackiw and Barnatan at QEH
Roy Westbrook, 30th November
The classical equivalent to a pop “supergroup” assembles at the Southbank Centre for piano trios by Rachmaninov, Ravel and Beethoven. 
****1
Superb Schumann 2 anchors Szeps-Znaider’s NY Phil conducting debut
Cameron Kelsall, 4th April
Thomas Larcher’s Returning into darkness, a new work for cello and orchestra, is performed by its dedicatee, Alisa Weilerstein.
***11
Weilerstein and Payare: a match made in heaven in Montreal
Ian Cochrane, 12th February
Alisa Weilerstein plays Prokofiev's Sinfonia Concertante before her husband conducts a key work from the OSM's history, Ravel's ballet Daphnis et Chloé. 
****1
LA Philharmonic gives NY premiere of Ortiz concerto at Carnegie Hall
David Wolfson, 9th October

Gabriela Ortiz' terrific cello concerto Dzonot receives its New York premiere by Alisa Weilerstein and the LA Philharmonic under Gustavo Dudamel at Carnegie Hall. 

****1
Weitere Kritiken...
Kritiken von
Alisa WeilersteinCellosuite Nr. 1 G-Dur, BWV1007Cellosuite Nr. 3 C-Dur, BWV1009Joan TowerJohann Sebastian BachSonata for solo cello, Op.8Zoltán Kodály
Verwandte Artikel
Loading image...
Alles eine Frage der Balance: die Bachtrack Klassik-Statistik 2024
Loading image...
Bachkantate Ach, wie flüchtig, ach, wie nichtig, BWV26
Loading image...
Bachkantate Lass, Fürstin, lass noch einen Strahl, BWV198
Loading image...
Bachkantate Allein zu dir, Herr Jesu Christ, BWV33
Mehr von Kurt Gottschalk
Loading image...
Wordless stories take root in ICE‘s Hannah Kendall portrait concert
Loading image...
The unbearable darkness of Innocence: Saariaho’s final opera receives New York premiere
Loading image...
New songs: Jessie Montgomery in conversation
Loading image...
Guitars, electronics and ancient treatises: What to do with a string quartet?
Kurt Gottschalk
Kurt Gottschalk

Kurt Gottschalk is a journalist and author based in New York City. His writings on contemporary and classical music, jazz and improvisation have been published in outlets throughout Europe and America and he has two volumes of short fiction to his name. He produced and hosted the Miniature Minotaurs radio programme on WFMU and currently hosts Afternoon New Music on WKCR.