Cello alone: Alisa Weilerstein in a stunning program at 92Y

Alisa Weilerstein

Par Kurt Gottschalk, 05 avril 2024

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“it was just me, her and Bach... presumably an audience was there as well”

Critique faite à The 92nd Street Y: Kaufmann Concert Hall, New York, le 3 avril 2024

Bach, Suite pour violoncelle no. 3 en ut majeur, BWV1009

Kodály, Sonate pour violoncelle seul, Op.8

Tower, For Alisa

Bach, Suite pour violoncelle no. 1 en sol majeur, BWV1007

Alisa Weilerstein, Violoncelle

À Saint-Denis, Alisa Weilerstein domine les suites de Bach

Clara Leonardi, 29th June

Alisa Weilerstein offre au public de la Maison de la Légion d'Honneur une intégrale des Suites pour violoncelle seul de Bach parfaitement maîtrisée, bien qu'un peu lisse.

****1

Impactante Krzystof Urbański con la Orquesta Nacional de España

Leonardo Mattana Ereño, 31st January

La Orquesta Nacional de España ofreció un concierto de gran impacto y buen trabajo orquestal bajo la dirección de Krzysztof Urbański.

****1

Piano trios x 3 from Weilerstein, Jackiw and Barnatan at QEH

Roy Westbrook, 30th November

The classical equivalent to a pop “supergroup” assembles at the Southbank Centre for piano trios by Rachmaninov, Ravel and Beethoven.

****1

Superb Schumann 2 anchors Szeps-Znaider’s NY Phil conducting debut

Cameron Kelsall, 4th April

Thomas Larcher’s Returning into darkness, a new work for cello and orchestra, is performed by its dedicatee, Alisa Weilerstein.

***11

Weilerstein and Payare: a match made in heaven in Montreal

Ian Cochrane, 12th February

Alisa Weilerstein plays Prokofiev's Sinfonia Concertante before her husband conducts a key work from the OSM's history, Ravel's ballet Daphnis et Chloé.

****1

LA Philharmonic gives NY premiere of Ortiz concerto at Carnegie Hall

David Wolfson, 9th October

Gabriela Ortiz' terrific cello concerto Dzonot receives its New York premiere by Alisa Weilerstein and the LA Philharmonic under Gustavo Dudamel at Carnegie Hall.

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Kurt Gottschalk

Kurt Gottschalk is a journalist and author based in New York City. His writings on contemporary and classical music, jazz and improvisation have been published in outlets throughout Europe and America and he has two volumes of short fiction to his name. He produced and hosted the Miniature Minotaurs radio programme on WFMU and currently hosts Afternoon New Music on WKCR.

Cello alone: Bach, Kodály, Joan Tower and Alisa Weilerstein in a stunning program at 92Y