St Matthew Passion

Von Laura Kate Wilson, 11 April 2011

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Leeds Town Hall, Leeds, am 9 April 2011

Bach, Matthäus-Passion, BWV244

Royal Northern Sinfonia

Leeds Festival Chorus

Choristers of Leeds Cathedral

Choristers of Leeds Parish Church

Simon Wright, Musikalische Leitung

James Gilchrist, Tenor

Sophie Bevan, Sopran

Robin Blaze, Countertenor

Andrew Staples, Tenor

Mark Stone, Bass

Paul Whelan, Bass

Ein Morgen davor und danach: New Beginnings der RNS

Jens Klier, 16th April

Anfänge, Leichtigkeit und schwere Träume machten den tatsächlichen Konzertabend des Frühlings zu einem hellen Tag der Beflügelung und Anteilnahme.

****1

A new light on Mendelssohn at the Glasshouse

Nick Butters, 6th March

Nil Venditti arrives like a small, joyful bomb at The Glasshouse and lights up a familiar Mendelssohn symphony with new insights.

****1

Sir Bryn Terfel charms Glasshouse audience in reimagined Schubert

Nick Butters, 21st November

Terfel’s charismatic account of Schubert songs orchestrated by a variety of composers, Sofia Gubaidulina’s meditation on his Impromtu and the composer’s own longest symphony make a varied and rewarding evening at The Glasshouse, Gateshead.

****1

Ticket to ride: thrilling, moving witty Berio at the Glasshouse

Nick Butters, 11th October

Sophia Burgos and members of Royal Northern Sinfonia charm, amuse and astonish in a selection of Luciano Berio’s works at the Glasshouse.

****1

Hymn of Praise: thrilling Mendelssohn at the Glasshouse

Nick Butters, 26th July

As the BBC Proms visits Gateshead, Dinis Sousa and the Royal Northern Sinfonia excel in Mendelssohn, although David Fray's Bach underwhelms.

****1

Fire and ice: Víkingur Ólafsson performs at the Glasshouse

Nick Butters, 6th February

A Finnish soundscape, fine detail in Bartók and deep understanding in Beethoven from the Royal Northern Sinfonia with Dinis Sousa and Víkingur Ólafsson.

*****

Weitere Kritiken...

Laura Kate Wilson

Laura has an MA in English from the University of St Andrews, and has worked as a features writer and a freelance reviewer. She is fascinated by all aspects of opera, but has a particular interest in the role of the baritone on the operatic stage and a passion for the works of Puccini.