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In Istanbul, Beethoven's Violin Concerto comes with cannon and muezzin obbligato

Von Jonathan Sutherland, 05 Juni 2017
Laden, bitte warten...
Veranstaltung anzeigen
“Pogostkina's semi-quaver runs were meticulously even, doubling stopping exact”
Rezensierte Veranstaltung: Hagia Eirene Museum, Istanbul, am 1 Juni 2017
Programm
Beethoven, Violinkonzert in D-Dur, Op.61
Bach, Violin partita no. 3 in E major, BWV1006: Gavotte en Rondeau
Beethoven, Symphonie Nr. 3 in Es-Dur "Eroica", Op.55
Darsteller
London Chamber Orchestra
Christopher Warren-Green, Musikalische Leitung
Alina Pogostkina, Violine
Weitere Konzert Kritiken
Less is more! Fitkin und Schostakowitsch beim London Chamber Orchestra
Michael Klier, 25th February
Die Streicher des LCO spielten engagiert und hatten sichtlich Spaß am Auf und Ab Graham Fitkins Komposition.
***11
Less is more! Fitkin und Schostakowitsch beim London Chamber Orchestra
Michael Klier, 25th February
Die Streicher des LCO spielten engagiert und hatten sichtlich Spaß am Auf und Ab Graham Fitkins Komposition.
***11
Nelson Freire's remarkable Grieg a highlight in Istanbul
Alain Matalon, 18th June
Mixed fare that Istanbul State Symphony Orchestra and conductor Christopher Warren-Green, with Nelson Freire's performance the highlight. 
***11
Raymond Gubbay presents Beethoven's Ninth: Christmas at the Barbican
Ken Ward, 29th December
Raymond Gubbay Ltd loads the grey interregnum between Christmas and New Year at the Barbican with sundry spectacular delights, such as The Last Night of the Christmas Proms, The Sound of Musicals, Movie Music Classics, and building to the great climax of A Viennese New Year’s Eve Gala. In the midst of this extravaganza stands the Beethoven’s Ninth concert.
El mejor encuentro con Mozart: Alina Pogostkina
Jorge Baeza Stanicic, 31st January
La Swiss Orchestra acompañó elegantemente a la solista Alina Pogostkina en el Concierto núm. 5 de Mozart, interpretaron además Tree Talk de Winkelman y la Séptima de Beethoven.
***11
Stormy passions: The Red Priest and his Muses
Mark Pullinger, 7th February
Anna Maria della Pietà may not be the most celebrated violinists in history, but she inspired Antonio Vivaldi to write some of his finest concertos, two of which were heard in this tribute to three of the Red Priest's muses. 
****1
Weitere Kritiken...
Kritiken von
Alina PogostkinaChristopher Warren-GreenJohann Sebastian BachLondon Chamber OrchestraLudwig van BeethovenSymphonie Nr. 3 in Es-Dur "Eroica", Op.55Violin partita no. 3 in E major, BWV1006: Gavotte en RondeauViolinkonzert in D-Dur, Op.61
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Jonathan Sutherland
Jonathan Sutherland
Jonathan Sutherland is a graduate of the Sydney Conservatorium of Music and the Hochschule Mozarteum in Salzburg. He is also an internationally renowned concert pianist specializing in the music of the 1930s. Jonathan’s first operatic experience was hearing Maria Callas sing Tosca in Covent Garden and he has since heard performances in all continents of the world including over 60 different productions at the Wiener Staatsoper. He has written for The Australian, Opera Today and The Opera Critic as well as Bachtrack. Jonathan speaks English, French, German and Italian fluently and is based in the south of France near Nice.