Takács Quartet: sublimes enlightenment in Beethoven

Von Mark Thomas, 07 Februar 2017

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Veranstaltung anzeigen

“a performance of breathtaking beauty and profound emotional impact”

Rezensierte Veranstaltung: Wigmore Hall, London, am 6 Februar 2017

Beethoven, Streichquartett Nr. 5 in A-Dur, Op.18 Nr.5

Beethoven, Streichquartett Nr. 4 in c-Moll, Op.18 Nr.4

Beethoven, Streichquartett Nr. 15 in a-Moll, Op.132

Takács Quartet

Das Takács Quartet in Bad Tölz: furios und voller Witz

Michael Vieth, 17th October

Fünfzig Jahre Takács Quartet: in Bad Tölz gestalteten sie mit Haydn, Bartók und Debussy eine Sternstunde der Streichquartett-Kunst.

*****

Takács Quartet explores folk-inflected repertoire in Cleveland

Sam Jacobson, 23rd January

At the Cleveland Chamber Music Society, the Takács Quartet collaborates with Marc-André Hamelin in works by Price and Dvořák.

***11

Dans le Luberon, le Quatuor Takács en toute frénésie

Manon Decroix, 24th August

Dans le cloître de l'abbaye de Silvacane, le Quatuor Takács a donné une interprétation engagée d'œuvres de Dvořák et Schubert.

****1

Beethoven's last and Dohnanyi's first at Mostly Mozart

Linda Holt, 5th August

The Takács Quartet performed quartets by Beethoven and Mozart with insight and energy. Pianist Jeremy Denk joined the ensemble in Dohnányi’s lushly romantic Piano Quintet.

*****

Takács Quartet shows its strengths in Cleveland

Sam Jacobson, 9th April

The Takács Quartet’s memorable performance was anchored by Grieg’s less-trodden string quartet, prefaced by works of Haydn and Shostakovich.

****1

Le quatuor Takács à La Chaise-Dieu : de la lumière à l’ombre

Tristan Labouret, 19th August

Dans le discret auditorium Cziffra, les quatre musiciens offrent un formidable périple de Mozart à Mendelssohn, en passant par le méconnu opus 15 de Dohnányi.

****1

Weitere Kritiken...

Mark Thomas

A lifelong devotee of classical music, Mark caught the bug after listening to The Planets, The Rite of Spring and Beethoven’s Fifth when he was knee-high to a grasshopper. He has degrees in non-musical subjects and currently works as a Chartered Governance Professional, but these have proved to be mere distractions from the wonders of sonatas, concertos and symphonies. He has been reviewing for Bachtrack since 2016, plays viola and violin (very shakily) and used to sing a bit (even more shakily).

Depth from within: the Takács Quartet provides sublime enlightenment in Beethoven