Vengerov and Osetinskaya explore Brahms at the Barbican

Von Kevin W Ng, 17 April 2018

Laden, bitte warten...

Veranstaltung anzeigen

“chamber music at its finest!”

Rezensierte Veranstaltung: Barbican Hall, London, am 16 April 2018

Brahms, Violinsonate Nr. 1 in G-Dur, Op.78

Brahms, Violinsonate Nr. 2 in A-Dur, Op.100

Brahms, F-A-E Sonate: Scherzo in c-Moll

Brahms, Violinsonate Nr. 3 in d-Moll, Op.108

Brahms, Ungarischer Tanz Nr. 2 in d-Moll

Kreisler, Caprice Viennois, Op. 2

Massenet, Thaïs: Méditation

Maxim Vengerov, Violine

Polina Osetinskaya, Klavier

Takács-Nagy’s Schumann trumps Bach at the Singapore Symphony

Chang Tou Liang, 13th February

Bach concertos on a modern Steinway prove a mixed blessing, but the Singapore Symphony's Schumann impresses under Hungarian conductor Gábor Takács-Nagy.

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Passion and virtuosity from Vengerov and Osetinskaya at Carnegie Hall

Susan Stempleski, 12th November

A fascinating and meticulously planned program of music by Clara and Robert Schumann, Brahms and Prokofiev at Carnegie Hall.

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Budapest Festival Orchestra plays – and sings – at Carnegie Hall

Susan Stempleski, 6th February

Joined by violinist Maxim Vengerov, the Hungarian orchestra, under Music Director Iván Fischer, is in top form in a program of three highly contrasting pieces.

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Brilliant Brahms from Vengerov and friends at Carnegie Hall

Susan Stempleski, 16th December

An extraordinary group of musicians join violinist Maxim Vengerov in performing two chamber music jewels by Johannes Brahms.

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Soirée hors normes à Toulouse avec Vengerov, Chung et le Tokyo Phil

Thibault d'Hauthuille, 3rd November

Dans des tubes de Tchaïkovski et Prokofiev, l'orchestre, son directeur musical honoraire et son soliste invité ont été éblouissants.

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Vengerov, Chung and the Met Orchestra at Carnegie Hall

Susan Stempleski, 30th January

The virtuoso violinist glows in Brahms’ Violin Concerto and the Met musicians display their virtuosity and versatility in the composer’s complex final symphony.

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Kevin W Ng

Kevin writes about music and culture, with a focus on opera. Originally trained as a violinist, he has a particular interest in 20th-century music. He is currently based in New York City.

The many faces of Brahms: Maxim Vengerov and Polina Osetinskaya at the Barbican