Vengerov and Osetinskaya explore Brahms at the Barbican

Por Kevin W Ng, 17 abril 2018

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“chamber music at its finest!”

Crítica hecha desde Barbican Hall, Londres el 16 abril 2018

Brahms, Sonata para violín núm. 1 en sol mayor, op. 78

Brahms, Sonata para violín núm. 2 en la mayor, Op.100

Brahms, Sonata F-A-E: Scherzo en do menor

Brahms, Sonata para violín núm. 3 en re menor, op. 108

Brahms, Hungarian Dance no. 2 in D minor

Kreisler, Caprice Viennois, Op. 2

Massenet, Thaïs: Méditation

Maxim Vengerov, Violín

Polina Osetinskaya, Piano

Takács-Nagy’s Schumann trumps Bach at the Singapore Symphony

Chang Tou Liang, 13th February

Bach concertos on a modern Steinway prove a mixed blessing, but the Singapore Symphony's Schumann impresses under Hungarian conductor Gábor Takács-Nagy.

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Passion and virtuosity from Vengerov and Osetinskaya at Carnegie Hall

Susan Stempleski, 12th November

A fascinating and meticulously planned program of music by Clara and Robert Schumann, Brahms and Prokofiev at Carnegie Hall.

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Maxim Vengerov con la Franz Schubert Filharmonia

Albert Ferrer Flamarich, 20th October

La excelente Franz Schubert Filharmonia dio buena cuenta una vez más de lo especial en su sonoridad y en sus interpretaciones bajo la esmerada dirección de Tomàs Grau.

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Budapest Festival Orchestra plays – and sings – at Carnegie Hall

Susan Stempleski, 6th February

Joined by violinist Maxim Vengerov, the Hungarian orchestra, under Music Director Iván Fischer, is in top form in a program of three highly contrasting pieces.

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Brilliant Brahms from Vengerov and friends at Carnegie Hall

Susan Stempleski, 16th December

An extraordinary group of musicians join violinist Maxim Vengerov in performing two chamber music jewels by Johannes Brahms.

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Soirée hors normes à Toulouse avec Vengerov, Chung et le Tokyo Phil

Thibault d'Hauthuille, 3rd November

Dans des tubes de Tchaïkovski et Prokofiev, l'orchestre, son directeur musical honoraire et son soliste invité ont été éblouissants.

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Kevin W Ng

Kevin writes about music and culture, with a focus on opera. Originally trained as a violinist, he has a particular interest in 20th-century music. He is currently based in New York City.

The many faces of Brahms: Maxim Vengerov and Polina Osetinskaya at the Barbican