The Goldilocks approach to Russian masterworks

Von Alexander Hall, 31 Oktober 2018

Laden, bitte warten...

Veranstaltung anzeigen

“the boisterousness was measured, the bars of the cage tapped but never seriously rattled”

Rezensierte Veranstaltung: Royal Festival Hall, London, am 30 Oktober 2018

Schostakowitsch, Violinkonzert Nr. 1 in a-Moll, Op.77 oder Op.99

Rachmaninow, Symphonie Nr. 2 in e-Moll, Op.27

Royal Philharmonic Orchestra

Lionel Bringuier, Musikalische Leitung

Valeriy Sokolov, Violine

Menschliche Schönheit und Perfektion: das RPO zu Gast in München

Benedikt Zacher, 4th February

Das englische Orchester bietet mit seinem Chefdirigenten Vasily Petrenko und Julia Fischer einen „perfekten” Abend in der Isarphilharmonie.

*****

Revolutionär unorthodox: Vasily Petrenko mit dem RPO zu Gast in Köln

David Renke, 16th May

Vasily Petrenko, Anne-Sophie Mutter und das Royal Philharmonic Orchestra gastierte nin Köln mit Werken von Bernstein, Previn und Rachmaninow. Neben einem Spektakel der Klangfarben hallt das Konzert aber auch aus einem anderen Grund nach.

*****

Edusei’s Beethoven and Rangwanasha’s Strauss thrill at Cadogan Hall

Christopher Woodley, 26th February

Kevin John Edusei, Masabane Cecilia Rangwanasha and the Royal Philharmonic Orchestra celebrate the joys of a life well-lived – rounded off to the sounds of larks ascending.

****1

Petrenko’s searing Shostakovich overshadows Grosvenor’s Beethoven

Nick Boston, 3rd February

Stylish Beethoven from Benjamin Grosvenor and dramatic Ustvolskaya from Yuriy Yurchuk, but Petrenko and the RPO’s blistering Shostakovich steals the show.

****1

Calurosa acogida para un cielo de invierno: Petrenko y la RPO

Jorge Baeza Stanicic, 29th October

Vasliy Petrenko condujo con magnífico pulso y un calibrado dinamismo un programa unido por la procedencia de los compositores.

****1

Charisma and colour from Vasily Petrenko and the Royal Philharmonic

Chris Garlick, 7th September

The Royal Philharmonic Orchestra’s BBC Proms matinee proves an ideal opportunity to demonstrate their strengths in a programme of Respighi, Milhaud and Vaughan Williams.

****1

Weitere Kritiken...

Alexander Hall

Alexander Hall divides his time between London and Hamburg, where he had a career in academic administration and teaching. He reviews for Bachtrack and Opera Today, and has also reviewed for Classical Source. A connoisseur of the great orchestras of the world, his musical memories stretch back to Karajan/Berlin Phil, Mravinsky/Leningrad Phil, Bernstein/Vienna Phil, and he has seen most of the great conductors from the past, including Böhm, Klemperer, Kubelik, Ormandy and Szell.

The Goldilocks approach to Russian masterworks from Bringuier, Sokolov and the RPO