Intended and unintended images in Oslo

Von Aksel Tollåli, 15 Januar 2017

Laden, bitte warten...

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“I was surprised not to see any violins catch fire from all the friction”

Rezensierte Veranstaltung: Oslo Concert Hall (Konserthus), Oslo, am 12 Januar 2017

Glinka, Ruslan und Ludmilla: Ouvertüre

Mikalsen, Saan for Trio and Orchestra (World première)

Grieg, Lyric Pieces: Solitary Traveller, Op.43 no.2

Mussorgsky, Bilder einer Ausstellung (Orch. Ravel)

Han-Na Chang, Musikalische Leitung

Oslo Philharmonic

Rolf-Erik Nystrøm, Saxophon

Frode Haltli, Akkordeon

Håkon Thelin, Kontrabass

Das Sichtbare und das Unsichtbare: Oslo Philharmonic und Klaus Mäkelä

Svenja Koch, 1st September

Triumph ohne Triumphalismus: Schostakowitschs Symphonie Nr. 5 begeistert das Publikum beim Musikfest Berlin.

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Feuerprobe teilweise bestanden: Klaus Mäkelä am Lucerne Festival

Thomas Schacher, 24th August

Nachdem der junge finnische Dirigent Klaus Mäkelä bereits eine aufsehenerregende Laufbahn zurückgelegt hat, gibt er nun sein Debüt am Lucerne Festival. Die Eindrücke gehen in verschiedene Richtungen.

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Virtuosity and volume: Oslo Phil plays Tchaikovsky and Shostakovich

Chanda VanderHart, 22nd January

Batiashvili’s account of the Tchaikovsky concerto confirms why she remains one of the most compelling violinists of her generation.

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Coup double dans Chostakovitch pour Mäkelä et l'Orchestre d'Oslo

Jean-Pierre Rousseau, 20th January

Le chef finlandais et l'orchestre norvégien ont donné une interprétation admirable – mais presque trop belle – des Sixième et Huitième Symphonies de Chostakovitch.

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Batiashvili, Mäkelä and the Oslo Philharmonic in Hamburg

Mengguang Huang, 18th January

A last-minute programme change doubles Batiashvili’s Tchaikovsky at the Elbphilharmonie, but repetition is transformed into fresh revelation.

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A high Klaus operation: Mäkelä and the Oslo Philharmonic

David Karlin, 23rd October

In their home concert hall under their Chief Conductor, the Oslo Philharmonic produce a high quality performance of Tchaikovsky's Fourth Symphony.

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Aksel Tollåli

Aksel is currently studying towards a degree in musicology at the University of Oslo. At the moment he is an exchange student at Goldsmiths College in London. He is also a choral singer and a trombonist. His musical interests include 20th-cenury French music, Baroque opera and the music of Richard Strauss.

Intended and unintended images: Han-Na Chang and the Oslo Phil debut Mikalsen's Saan