Company Wayne McGregor: Autobiography (v95) – too much noise!

Company Wayne McGregor in his Autobiography (v95)

Salomé Pressac in Wayne McGregor's Autobiography (v95)

Jasiah Marshall in Wayne McGregor's Autobiography (v95)

Von Graham Watts, 13 März 2024

Laden, bitte warten...

Veranstaltung anzeigen

“excessive level of noise and this uncomfortable experience determined my decision not to return”

Rezensierte Veranstaltung: Sadler's Wells Theatre, London, am 12 März 2024

Autobiography (v95) (Cage, John) (Wayne McGregor)

Company Wayne McGregor

Wayne McGregor, Regie

Salomé Pressac, Tanz

Rebecca Bassett-Graham, Tanz

Jordan James Bridge, Tanz

Krieg, Macht und Hoffnung: Shadows am Dutch National Ballet

Michael Klier, 13th September

Das Niederländische Nationalballett zeigt zum Saisonauftakt einen aktuellen und kritischen Ballettabend.

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Die Schönheit der Zergliederung: Wayne McGregors Tree of Codes

Stephan Eckel, 26th June

Wayne McGregor schafft eine anspruchsvolle Choreographie, die subtil an Geschwindigkeit und Intensität aufnimmt und klassische Posen mit nervösen Zuckungen kombiniert.

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Woolf Works for The Royal Ballet: reaching poetic depths

Maggie Foyer, 17th January

Woolf Works returns to Royal Opera House stage showcasing some of Wayne McGregor’s best choreography and a roster of exceptional performances.

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Ballet superstars in Frankfurt for a night to savour

Vikki Jane Vile, 30th November

For one night only, audiences in Frankfurt were treated to some world class ballet on the expansive stage of the Jahrhunderthalle.

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Wayne McGregor’s Jocasta’s Line offers powerful performances

Maggie Foyer, 13th September

A dramatic staging of two Greek myths, Wayne McGregor’s Jocasta’s Line is an epic production for Norwegian National Opera and Ballet, a truly modern and totally original work.

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Un passionnant panorama de la danse contemporaine à Bordeaux

Julie Jozwiak, 10th April

Temps fort de la saison du Ballet de l'Opéra National de Bordeaux, la soirée « Quatre tendances » associe cette année deux créations de Wiest et Casquilho et deux œuvres cultes de McGregor et León & Lighfoot.

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Weitere Kritiken...

Graham Watts

Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.