DiDonato shines with Nézet-Séguin and the Philadelphia Orchestra

Von Susan Gould, 13 November 2018

Laden, bitte warten...

Veranstaltung anzeigen

“Nézet-Séguin led with obvious pleasure and enthusiasm, and the orchestra played brilliantly”

Rezensierte Veranstaltung: Kimmel Center: Marian Anderson Hall, Philadelphia, am 9 November 2018

Wagner, Lohengrin: prelude to Act 1

Bates, Anthology of Fantastic Zoology

Chausson, Poème de l'amour et de la mer, Op.19

Respighi, Fontane di Roma (Brunnen von Rom)

Joyce DiDonato, Mezzosopran

Yannick Nézet-Séguin, Musikalische Leitung

The Philadelphia Orchestra

Entdeckungsreise Florence Price mit Nézet-Séguin beim Musikfest Berlin

Christoph Wurzel, 1st September

Zwei starke Frauen der Musik traten beim Musikfest Berlin im Konzert des Philadelphia Orchestra hervor: als Solistin Lisa Batiashvili und als Komponistin Florence Price.

*****

Marsalis und Gonzalez-Granados: Traumpaar auf dem Konzertbildschirm

Michael Klier, 12th November

Der ungekrönte Star des Abends war Branford Marsalis, der träumerisch mit Glasunows sehnsuchtsvollen Melodien verzzauberte.

****1

A superb Salzburg sojourn: Philadelphia Orchestra plays Mozart

Cameron Kelsall, 11th April

Guest conductor Harry Bicket brings a sense of urgency to Mozart's Requiem and pulse-quickening energy to Symphony no. 40.

****1

Energy, precision and drama from the Philadelphia Orchestra

Susan Stempleski, 31st March

Marin Alsop is joined by pianist Hayato Sumino as she conducts the Philadelphians in an exhilarating program of works by John Adams, Gershwin and Prokofiev.

****1

Amy Beach’s Gaelic returns to Philadelphia after 100-year absence

Cameron Kelsall, 12th March

Conducted by Yannick Nézet-Séguin, the Philadelphia Orchestra’s latest concert also features Liszt’s Second Piano Concerto with Marc-André Hamelin.

****1

When we dead awaken: Mahler 2 returns to Philadelphia

Cameron Kelsall, 8th March

Yannick Nézet-Séguin and the Philadelphia Orchestra deliver a supreme meditation on the power of music and faith.

*****

Weitere Kritiken...

Susan Gould

Philadelphia native Susan Gould has been writing professionally about classical music since her Barnard College years in New York. She has written for both American and European publications, primarily during fifteen years in Europe, and has done liner notes for recordings and program notes for opera companies and orchestras. Among those she has interviewed have been Sills, Tebaldi, Popp and Fleming; Bumbry, Ludwig, Fassbaender, and von Stade; del Monaco, Kraus and Pavarotti; Prey, Morris and Ramey; Muti, Abbado, Giulini, Sawallisch, and Eschenbach. Fluent in Italian, German and French, she has coached both student and professional singers in foreign-language diction since 1980.