Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Yannick Nézet-Séguin

Am Pult der Berliner Philharmonikern glänzt Yannick Nézet-Séguin mit Debussy und Prokofjew.

Bei ihrem ersten Gastspiel beim Musikfest Berlin überzeugen Yannick Nézet-Séguin und das Rotterdams Philharmonisch Orkest mit einem düsteren Programm.

Nézet-Séguin dirgiert sein Orchestre Métropolitain in insgesamt sieben Konzerten in Europa. In beiden Programmen wird auch jeweils ein Stück eines Komponisten aus Quebec gespielt.

Der kanadische Dirigent Yannick Nézet-Séguin gastierte mit Johannes Brahms' Deutschem Reuquiem und Carl Philipp Emanuel Bachs Kantate Heilig in der ausverkauften Berliner Philharmonie.

Die Rotterdamer Philharmoniker unter Yannick Nézet-Séguin eröffneten ihre Konzertsaison mit Janine Jansen und einem beeindruckenden Abend mit Britten und Beethoven.

Die Rotterdamer Philharmoniker sind zur Zeit auf Tournee durch ganz Europa. In München machen die Holländer Halt für ein Programm mit Werken von Bernstein, Chopin und Dvořák.

Mit einer fulminanten Schöpfung haben die diesjährigen Salzburger Festspiele begonnen und lassen auf einen abwechslungreichen spannenden Sommer hoffen.

Mit Prokofjews siebter Sinfonie präsentierte Nézet-Séguin ein Werk voll heiterer Melodien, walzerselig, fast mit Swing im zweiten Satz, rasant, virtuos, dynamisch gut differenziert.

Temperamentvolle Einstiege und butterweiche Mittelsätze: Yannik Nézet-Séguin präsentiere in Dortmund Mendelssohn-Symphonien. 

Im ersten ihrer Konzerte bei den Salzburger Festspielen luden die Wiener Philharmoniker zu einem Reigen spiritueller Musik von Bruckner und Martinů und konnten mit beeindruckenden Interpretationen fesseln.

Lars Vogt, Yannick Nézet-Séguin und das London Philharmonic Orchestra bringen frischen Wind in einen deutschen Klassiker.

Von dionysisch-wild bis apollinisch-klar: Gil Shaham und das Symphonieorchester des BR unter Yannick Nézet-Séguin zeigen bei Bartók und Mahler überschäumende Musizierfreude und Begeisterung, die ansteckt.

Despite theatrical drawbacks, this Wozzeck is heartily recommend due to Yannick Nézet-Séguin's staggering understanding of all facets of Berg's score.

DiDonato has always asked herself what happens to Charlotte after Werther’s suicide; now she pondered another young woman’s fate – her key to Winterreise was from the Mädchen’s viewpoint.

La mezzo-soprano Joyce DiDonato et le chef-pianiste Yannick Nézet-Séguin ont livré un Voyage d’hiver d’exception au Club musical de Québec.

Bach's crowning musical achievement made a disappointing return to the Philadelphia Orchestra repertoire after a 34-year absence.

DiDonato shines as Yannick Nézet-Séguin leads his OM in the final concert of its US tour, ending with blockbuster Bruckner. 

Louis Lortie amazes in the Schubert-Liszt Wanderer Fantasy, while The Philadelphia Orchestra under Nézet-Séguin struggles but ultimately triumphs with Mahler's Fifth.

When conducting Mozart, Nézet-Séguin rarely displayed the wit and insight he always brings to Bruckner and Mahler.

Christine Goerke gives a thrillingly fleshed-out performance as the princess Turandot that is everything one wants opera to be.

Yannick Nézet-Séguin has resisted specialist identification, but his finesse with Strauss suggests he's Austro-Germanic at heart.

The program also featured a compelling world premiere from composer Valerie Coleman and a stirring performance of Dvořák's “New World” Symphony.

Conductor Yannick Nézet-Séguin’s recent debut with the Lucerne Festival Orchestra was a dazzling Beethoven-Shostakovich programme that epitomised the “power of music”.

When Mariss Jansons was forced to withdraw from his orchestra's tour, the BRSO couldn't have found a better step-in than Yannick Nézet-Séguin.

Nézét-Séguin draws limpid playing of extreme clarity from the BRSO to provide a telling account of Shostakovich's Fifth.

Yannick Nézet-Séguin and Kevin Newbury see Candide as a coming-of-age story, placing it in their own high-school years, specifically 1992, making Westphalia a USA knockoff.

The Met Orchestra’s closing performance of the season saw Yannick Nézet-Séguin lead the ensemble in Mahler’s Rückert-Lieder with Elīna Garanča and an arresting Bruckner's Seventh Symphony.

The fast-rising Italian pianist Beatrice Rana offered a triumph of technique, but her playing lacked much emotional engagement or wit.

Isabel Leonard demonstrated her keen sense of language and a wonderful lack of affectation in both scores she sung.

Although both Bernstein's Jeremiah Symphony and Mendelssohn's Hymn of Praise explore the role religion plays in the cultivation of the human spirit, they are in many aspects sharply contrasting works. This made for an appealing concert by Montreal's Orchestre Métropolitain and their conductor Yannick Nézet-Séguin.

Mahler's farewell to the world emerged as a journey through stages of grief in a thrilling performance led by Music Director Yannick Nézet-Séguin. 

An unforgettable evening at the Met as John Dexter's production of Poulenc's masterpiece is revived to close the season. 

The 31-year-old Assistant Conductor approached a program of Beethoven, Weber and Schumann with confidence and a forceful hand.

Thrilling choreography reimagined for the 21st century.

Nico Mulhy's great gift as an orchestrator and his ability to construct colorful and suggestive textures are evident in Liar, presented by the Philadelphia Orchestra together with Schubert and Mendelssohn.

À la Philharmonie de Paris, Yannick Nézet-Séguin et les Berliner Philharmoniker donnent une interprétation bodybuildée du chef-d'œuvre debussyste qui laisse peu de place au mystère.

Yannick Nézet-Séguin’s proves the highlight of a frustrating evening at The Metropolitan Opera

A Christmas concert from some fine choirs warmed the hearts of their Montréal audience.

Eighteen years ago Montreal’s Orchestre Métropolitain took a huge gamble by appointing the youthful local Yannick Néget- Séguin as its Music Director. Now, when the Maestro returns to conduct in his native city, a lovefest ensues.

A new production of La Traviata, colorful and conventional, brings little new ideas but is a fine vehicle for a fine performance conducted by Yannick Nezet-Seguin that features a trio of excellent singers.

Nézet-Séguin leads Philadelphians and Joyce DiDonato in superb performances of Wagner, Bates, Chausson and Respighi.

Yannick Nézet-Séguin's final tour as Chief Conductor of the Rotterdam Philharmonic brought out the tender side of Bruckner and Liszt. 

Sorprendió la excitación que se manifestó en el transcurso del recorrido y Bronfman, en un estado de forma asombroso, brindó portentosas muestras de su dote al teclado. 

The Rotterdam Philharmonic marked their centenary with two concerts starring mezzo-soprano Joyce DiDonato. A bittersweet weekend, during which they also took leave of their beloved principal conductor Yannick Nézet-Séguin.

Dans un programme 100% « Allemagne romantique », le chef québécois et l'orchestre américain délivrent une prestation de référence. Au piano, Hélène Grimaud impressionne mais ne convainc pas totalement.

The Philadelphia Orchestra's superb semi-staged production of Tosca. 

A première of Machover's latest City Symphony leaves its mark beyond works by Bernstein and Mussorgsky. 

The Philadelphia Orchestra gives us convincing renditions of Bernstein, Schumann and Strauss.

"She commands the stage, she commands the notes, she commands the tension": Christine Goerke's portrayal of Elektra haunts The Met.