Alone and in love: Christoph Loy’s compelling new Onegin in Oslo

Von Aksel Tollåli, 18 Februar 2020

Laden, bitte warten...

Veranstaltung anzeigen

“Audun Iversen was absolutely tremendous in the role of Onegin”

Rezensierte Veranstaltung: Oslo Opera House, Main Stage, Oslo, am 15 Februar 2020

Tschaikowsky, Eugen Onegin

Norwegian National Opera

Lothar Koenigs, Musikalische Leitung

Christof Loy, Regie

Raimund Orfeo Voigt, Bühnenbild

Herbert Murauer, Kostüme

Audun Iversen, Eugene Onegin

Svetlana Aksenova, Tatyana

Tone Kummervold, Olga

Bogdan Volkov, Lensky

Robert Pomakov, Prince Gremin

Randi Stene, Madame Larina

Zaza Gagua, Captain

Marius Roth Christensen, Monsieur Triquet

Andreas Heise, Choreographie

Norwegian National Opera Chorus

Norwegian National Opera Orchestra

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Bei seinem ersten Ausflug in die Welt Rossinis, verwandelte der norwegische Regisseur Stefan Herheim La Cenerentola in ein brillantes, lustiges Spektakel, gefüllt mit nachdenklich stimmendem Humor und herausragendem Gesang.

*****

Wayne McGregor’s Jocasta’s Line offers powerful performances

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****1

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Despite some dramatic frustrations, at least in Oslo, Jones' production is saved by some truly outstanding singing.

***11

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The first staging of Bellini's Norma in Oslo in over a century is unfortunately hampered by an irritating production, yet some glorious singing does much to rescue the show.

**111

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Aksel Tollåli, 25th November

Christoph Loy's Oslo production of Wozzeck is a dramatic triumph, with gripping performances from a cast led by Audun Iversen's desperate title character.

*****

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Aksel Tollåli

Aksel is currently studying towards a degree in musicology at the University of Oslo. At the moment he is an exchange student at Goldsmiths College in London. He is also a choral singer and a trombonist. His musical interests include 20th-cenury French music, Baroque opera and the music of Richard Strauss.

Alone and in love: Christoph Loy’s compelling new Eugene Onegin in Oslo