A stern Father's Day treat: Mozart Idomeneo at Garsington

Von Charlotte Valori, 21 Juni 2016

Laden, bitte warten...

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“there's not a rubber shark or stormtrooper in sight”

Rezensierte Veranstaltung: Garsington Opera, High Wycombe, am 19 Juni 2016

Mozart, Idomeneo, rè di Creta

Garsington Opera

Tobias Ringborg, Musikalische Leitung

Tim Albery, Regie

Hannah Clark, Bühnenbild

Toby Spence, Idomeneo

Caitlin Hulcup, Idamante

Louise Alder, Ilia

Rebecca von Lipinski, Elettra

Timothy Robinson, Arbace

Robert Murray, Hohepriester

Nicholas Masters, Orakel

The Gascoigne Orchestra

A radically trad Fidelio at Garsington

Peter Quantrill, 27th June

Simple solutions prove the best in Beethoven's "problem" opera as John Cox's staging is revived at Garsington.

****1

Ravishing Rodelinda: Handel al fresco at Garsington Opera

Roy Westbrook, 13th June

Ruth Knight untangles Handel's Rodelinda, directing a new staging at Garsington which features a feast of fine singing.

****1

Three card trick: compelling new Queen of Spades at Garsington

Roy Westbrook, 29th May

Jack Furness directs a terrific new Queen of Spades at Garsington – haunting and harrowing.

****1

Garsington’s L’elisir d’amore: Dr Feelgood wins the day

David Karlin, 28th May

Simon Higlett’s exquisite sets and costumes give a backdrop to Donizetti’s frothiest of rom-coms.

****1

Madcap comedy from Verdi: Un giorno di regno at Garsington

David Karlin, 29th June

Christopher Alden, Chris Hopkins and an excellent cast send us a comic roller coaster ride with Verdi’s ultra-rarely performed second opera.

*****

Garsington Opera's new A Midsummer Night's Dream

Roy Westbrook, 16th June

In the first and last acts, ladies entered with a train still attached to a bolt of cloth, which was then cut to length by an attendant. Was this production brought to the stage in a great hurry, allowing no time for costume fittings?

***11

Weitere Kritiken...

Charlotte Valori

Charlotte Valori read Classics at Christ Church, Oxford. As a classicist, her main interest is Greek tragedy and its reception by later cultures, which has led to a continuing passion for theatre and opera. Charlotte reviews for several online magazines, and won the Bachtrack Opera Award 2015 for Best Written English Review. Follow her on Twitter @operissima.