Bachtrack logo
Termine
Alle VeranstaltungenKonzerteOperTanzKinderMeisterkurseWettbewerbeFestspiele
Kritiken
Alle KritikenKonzertkritikenOpernkritikenTanzkritiken
Artikel
Alle ArtikelReportagenInterviewsKommentarPlaylist
Neuigkeiten
Video
Video homeAlle VideosStreamsKonzerteOperTanzKinderMeisterkurseHerausgeber
Seite
Über unsKontaktVerlinkenNutzungsbedingungenCookiesDatenschutz
Young artists
Reise
TermineKritikenArtikelVideo

The bold and beautiful Joffrey Ballet

Von Jaime Robles, 19 November 2017
Laden, bitte warten...
Veranstaltung anzeigen
“The Joffrey Ballet reimagines human and kinetic beauty.”
Rezensierte Veranstaltung: UC Berkeley, Zellerbach Hall, Berkeley, am 17 November 2017
Programm
In Creases (Justin Peck)
Encounter (Nicolas Blanc)
Joy (Alexander Ekman)
Mammatus (Annabelle Lopez Ochoa)
Darsteller
Joffrey Ballet
Weitere Tanz Kritiken
NYCB: Ratmansky’s The Naked King is not satire, but good fun
Ivy Lin, 7th February
New York City Ballet presents a very entertaining quadruple bill which includes Alexei Ratmansky’s latest work, The Naked King, showing off the company’s comic talents.
****1
Irresistible: Justin Peck’s The Wind-Up premieres at NYCB
Carla Escoda, 29th January
Never has Justin Peck seemed more compositionally assured, and paradoxically freer, than in his latest ballet, breaking the mold of past work that mostly celebrated the camaraderie of his generation. 
****1
The Royal Ballet in Perspectives: a diverse and challenging triple
Amanda Jennings, 14th November
The Royal Ballet presents a triple bill of diverse works including one world premiere and one UK premiere. As per usual, the supreme roster of dancers tackles each with aplomb.
****1
Few signs of heat in a mixed bill at New York City Ballet
Carla Escoda, 25th September
New York City Ballet offered a few exhilarating moments in a mishmash of a program from the company with arguably the greatest rep in the world.  
***11
Atlanta Ballet showcases impressive range in Balanchine & Peck program
Rebecca Ehrhardt, 13th September
Atlanta Ballet began its season with a mixed bill which amply demonstrated the versatility and capabilities throughout all the ranks of the company.
****1
NYCB: Justin Peck revisits the familiar in Mystic Familiar
Ivy Lin, 10th May
New York City Ballet deliver an enjoyable, diverse, if occasionally predictable triple bill with revivals of works premiered last season.
****1
Weitere Kritiken...
Kritiken von
Alexander EkmanAnnabelle Lopez OchoaIn CreasesJoffrey BalletJohn AdamsJustin PeckMichael GordonNicolas BlancPhilip Glass
Verwandte Artikel
Loading image...
Bachtrack feiert 25.000 Rezensionen
Loading image...
Auf der Suche nach einer neuen Balance in Wien: Alessandra Ferri
Loading image...
Warum wir klassisches Ballett noch immer brauchen: Darcey Bussell, Cynthia Harvey und Aaron S. Watkin im Gespräch
Loading image...
Der Alltag einer Ballerina: ein Interview mit Deborah Weiss
Mehr von Jaime Robles
Visions of Classical (Re)Vision in San Francisco
Eifman Ballet in a strangely psychological Pygmalion Effect
Alonzo King's LINES Ballet takes a walk on the wild side
The solace of love in San Francisco Ballet’s Program 5: Lyric Voices
Jaime Robles
Jaime Robles
Jaime Robles has previously written in the San Francisco Bay Area, including for the San Francisco Classical Voice. Also a poet, she has written song lyrics and librettos for several one-act operas, including Inferno (music by Peter Josheff), staged in 2009 by San Francisco Cabaret Opera, and Vladimir in Butterfly Country (music by Anne Callaway), staged in 2012.