Iván Fischer focuses on the big picture in Mahler 5 at Lincoln Center

Von Edward Sava-Segal, 26 Februar 2020

Laden, bitte warten...

Veranstaltung anzeigen

“an interpretation where frenzy was less important than balance and precision”

Rezensierte Veranstaltung: Lincoln Center: Wu Tsai Theater, David Geffen Hall, New York City, am 24 Februar 2020

Mahler, Kindertotenlieder

Mahler, Symphonie Nr. 5 in cis-Moll

Budapest Festival Orchestra

Iván Fischer, Musikalische Leitung

Gerhild Romberger, Alt

Igor Levit und Budapest Festival Orchestra: ein Fest für Prokofjew

Sebastian Urmoneit, 24th March

Mit dem Dritten stand wohl das bekannteste Klavierkonzert Prokofjews im Mittelpunkt, eingerahmt von zwei glänzenden Orchesterstücken.

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Musikalische Ekstase auf Ungarisch

Sarah Schnoor, 26th March

Das Budapest Festival Orchestra bringt mit einem Bartók-Programm ungarische Klangfarben in die Elbphilharmonie.

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Die Allrounder – Budapest Festival Orchestra und Andras Schiff

David Renke, 28th November

Sowohl Beethovens zweites als auch drittes Klavierkonzert interpretierte der gebürtige Ungar András Schiff mit dem Budapest Festival Orchestra in der Münchner Philharmonie.

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Clarity and communion in Budapest Festival Orchestra’s Mahler 3

Michelle Assay, 12th February

On the final leg of their North American tour, the Budapest Festival Orchestra’s Mahler proves a a transformative experience within the intimate setting of Toronto’s Koerner Hall.

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Budapest Festival Orchestra plays – and sings – at Carnegie Hall

Susan Stempleski, 6th February

Joined by violinist Maxim Vengerov, the Hungarian orchestra, under Music Director Iván Fischer, is in top form in a program of three highly contrasting pieces.

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Budapest Festival Orchestra at the Elbphilharmonie

Mengguang Huang, 11th November

Iván Fischer and Alina Ibragimova transform familiar works into a vivid experience. From Beethoven’s Violin Concerto to Strauss’ Josephs Legende, the orchestra dazzles with colour, energy and cinematic intensity.

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.