Antony and Cleopatra: Adams offers a Shakespeare speed-read

Amina Edris (Cleopatra) and Gerald Finley (Antony)

Taylor Raven (Charmian), Gabrielle Beteag (Iras) and Amina Edris (Cleopatra)

Amina Edris (Cleopatra)

Paul Appleby (Caesar)

Paul Appleby (Caesar), Elizabeth DeShong (Octavia) and Gerald Finley (Antony)

Von Mark Pullinger, 19 September 2022

Laden, bitte warten...

“you’re glad you read the synopsis beforehand, so thick and fast comes the dialogue”

Rezensierte Veranstaltung: War Memorial Opera House, San Francisco, am 18 September 2022

Adams, Antony and Cleopatra

San Francisco Opera

Eun Sun Kim, Musikalische Leitung

Elkhanah Pulitzer, Regie

Mimi Lien, Bühnenbild

Constance Hoffman, Kostüme

David Finn, Licht

San Francisco Opera Orchestra

San Francisco Opera Chorus

Amina Edris, Cleopatra

Gerald Finley, Antony

Paul Appleby, Caesar

Elizabeth DeShong, Octavia

Alfred Walker, Enobarbus

Hadleigh Adams, Agrippa

Taylor Raven, Charmian

Gabrielle Beteag, Iras

Brenton Ryan, Eros

Philip Skinner, Lepidus

Timothy Murray, Scarus

Patrick Blackwell, Maecenas

Bill Morrison, Projection Designer

Ein lohnenswerter Opernmarathon in San Francisco

Maria Nockin, 18th November

Diese Vorstellung war Sir Mark Elders Debüt mit der Kompanie und von der Ouvertüre an bot er seine individuelle Lesart der Partitur, mit einer enormen dynamischen Bandbreite und je nach den emotionalen Werten jeder Szene stark variierenden Tempi.

*****

Unmasking illusions: SF Opera’s Ballo mirrors life’s motley

Thomas May, 24th September

An excellent cast and smart, engaged direction make for an auspicious season launch in San Francisco Opera’s production of one of Verdi’s most sophisticated creations.

****1

San Francisco Opera's The Handmaid's Tale offers hope

Lois Silverstein, 14th September

John Fulljames directs a new production of Poul Ruders' uncompromising operatic take on Margaret Atwood’s celebrated novel.

****1

San Francisco Opera offers a dark, powerful Rusalka

Edward Sava-Segal, 22nd June

Both vocally and instrumentally the performance was a high-class one

****1

Exquisite Handelian singing in San Francisco Opera's Orlando

Edward Sava-Segal, 21st June

The evening’s most revelatory performance came from the young countertenor Aryeh Nussbaum Cohen as Medoro.

****1

Heggie creates a new holiday tradition for the opera world

Donna Stoering, 20th November

A wonderfully realized production at San Francisco Opera of Jake Heggie's operatic version of a holiday classic.

*****

Weitere Kritiken...

Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Antony and Cleopatra: John Adams goes conventional in Shakespeare speed-read