Alexander Malofeev impresses with Rachmaninov and more in Naples

Alexander Malofeev, Dan Ettinger and the Orchestra del Teatro di San Carlo

Dan Ettinger

Von Lorenzo Fiorito, 16 Februar 2023

Laden, bitte warten...

Veranstaltung anzeigen

“Malofeev... displayed sensitivity and crystal clarity”

Rezensierte Veranstaltung: Teatro Politeama, Naples, am 14 Februar 2023

Rachmaninow, Klavierkonzert Nr. 2 in c-Moll, Op.18

Tschaikowsky, Der Nussknacker, Op.71: Pas de deux (trans. Pletnev)

Prokofjew, Klaviersonate Nr. 7 in B-Dur, Op.83: Precipitato

Medtner, Forgotten Melodies, Op.38 no. 6: Canzona serenata

Rimsky-Korsakow, Scheherazade, Op.35

Alexander Malofeev, Klavier

Orchestra del Teatro di San Carlo

Dan Ettinger, Musikalische Leitung

Werther revived at San Carlo: an anatomy of emotional isolation

Lorenzo Fiorito, 26th May

Willy Decker’s psychologically intense Werther returns to the Teatro di San Carlo with a deeply human interpretation by Francesco Demuro and refined conducting by Lorenzo Passerini.

*****

Rosa Feola’s Lucia rescues a San Carlo production showing its age

Lorenzo Fiorito, 11th March

Gianni Amelio's 2021 production of Lucia di Lammermoor at the Teatro di San Carlo serves the music, but it no longer commands the same sense of discovery.

***11

Laurent Pelly’s Falstaff passes the Naples test with flying colours

Lorenzo Fiorito, 15th February

The French director’s much-travelled production arrives at the Teatro di San Carlo, displaying a precise balance between word, gesture and voice.

*****

Ludovic Tézier delivers a noble Nabucco in Naples

Lorenzo Fiorito, 18th January

Andreas Homoki’s staging at the Teatro di San Carlo, setting aside a few inconsistencies with the libretto, does not indulge in redundant symbolism.

***11

Ennio Morricone’s only opera, Partenope, finally premiered in Naples

Lorenzo Fiorito, 14th December

Vanessa Beecroft’s production of Ennio Morricone’s demanding sole opera relies on strong visual images.

***11

San Carlo’s Medea a clash of worlds in a neoclassical framework

Lorenzo Fiorito, 10th December

A new Medea at the Teatro di San Carlo presents three distinct visions – neoclassical in the pit, expressionistic on stage and conceptual in the direction – that never fully merge.

***11

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Lorenzo Fiorito

Lorenzo Fiorito holds degrees in Humanities and in Languages and Literatures, and a Phd in Languages for Special Purposes. He is a lecturer in historical musicological subjects at the Pegaso University, Naples, the Universitas Mercatorum, Rome and MEDEA Higher Education Institution, Malta, currently researching musicology as a special language. He is a member of the National Music Critics Association and of the Italian Society of Musicology. He edited a series of volumes in Musicology and History of Music for the publisher Diana Edizioni, mainly concerning the Neapolitan School of Music of the 18th century, and is the founder and artistic director of the “Francesco Durante Festival” in Frattamaggiore.