Echoes of Romanticism: the Nash Ensemble at Wigmore Hall play Mozart, Wagner and Strauss

Von Capriccio, 13 Februar 2012

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Wigmore Hall, London, am 11 Februar 2012

Wagner, Siegfried Idyll

Mozart, Quintett C-Dur für Streicher, K515

Strauss R., Capriccio, Op.85: Sextett

Strauss R., Capriccio, Op.85: Letzte Szene, Mondscheinmusik und 'Wo ist mein Bruder?')

Nash Ensemble

Dame Felicity Lott, Sopran

Paul Watkins, Musikalische Leitung

The Nash Ensemble celebrates Amelia Freedman at Wigmore Hall

Roy Westbrook, 2nd February

This Memorial Concert, given by the Nash Ensemble at Wigmore Hall, unites both the group and the venue closely associated with Amelia Freedman’s distinguished career as an arts administrator.

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Nash Inventions: a sonic feast for six decades

Christopher Woodley, 18th March

Martyn Brabbins and Claire Booth are among the Nash Ensemble's regular collaborators celebrating the group’s 60th Anniversary, marked by four world premieres.

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Late night lunaire: Schoenberg's Pierrot with Claire Booth

Roy Westbrook, 21st June

A midsummer night but no moonshine for this madness in the Britten Studio.

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Nash Ensemble’s Inventions evoke vivid landscapes and sombre memories

Christopher Woodley, 26th March

Fine performances from Claire Booth and Nash Ensemble conjure up the dramatic landscapes of Andalusia, the Hebrides and the wilds of southern Wisconsin, as portrayed by Harrison Birtwistle and Simon Holt.

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A double act: Roderick Williams delivers Mahler two ways

Alexander Hall, 19th November

Robert and Clara were not the only two-composer family. So were Alma and Gustav. The Nash Ensemble's latest programme highlights Beethoven and the Romantics.

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Nash Ensemble: música contemporánea en el Wigmore Hall

Francisco Martínez Ramos, 27th April

El Nash Ensemble ofreció un gran concierto desde el Wigmore Hall con obras contemporáneas entre las que se contaban tres estrenos mundiales.

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Capriccio

Capriccio is a musician and writer living in London. He has a particular interest in opera and music of the twentieth century and enjoys exploring the obscurer recesses of the repertoire. He blogs here.