Fine cantatas from John Lubbock with the Orchestra of St John's in Oxford

Oxford Town Hall was certainly decked with boughs of holly for last night’s Christmas special. Featuring the twelve-piece Orchestra of St John’s and a carol-singing choir, the scene was set for a cosy evening away from the cold and drizzle outside. Maybe the best way to describe this concert is by comparing it to a festive CD.

Frank Bridge, his pupil Benjamin Britten, and Ralph Vaughan Williams: three composers defined by their role in steering English music into the twentieth century. With Britten’s centenary approaching in 2013, Kings Place’s two-concert series of English string music was a timely reminder of the musical imagination that flourished in this country at the turn of the twentieth century.

Oxford Town Hall was certainly decked with boughs of holly for last night’s Christmas special. Featuring the twelve-piece Orchestra of St John’s and a carol-singing choir, the scene was set for a cosy evening away from the cold and drizzle outside. Maybe the best way to describe this concert is by comparing it to a festive CD.

Frank Bridge, his pupil Benjamin Britten, and Ralph Vaughan Williams: three composers defined by their role in steering English music into the twentieth century. With Britten’s centenary approaching in 2013, Kings Place’s two-concert series of English string music was a timely reminder of the musical imagination that flourished in this country at the turn of the twentieth century.

Die Jahrzehnte dauernde Rückkehr des Dirigenten nach Heidelberg avanciert zu einem ergreifenden, begeisternden Fest von Botschaft und Musik, mit dem er interpretatorisch weiter in fast eigener Liga spielt.

Chor und Orchester des Collegium Vocale Gent und ihr charismatischer Leiter Philippe Herreweghe, längst Legenden der historischen Aufführungspraxis, beweisen, dass die Doppelchörigkeit der Matthäus-Passion nicht nur ein Stereo-Phänomen ist.