Prom 10: Intimacy on a large scale

Von Hazel Rowland, 26 Juli 2014

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Royal Albert Hall, London, am 25 Juli 2014

Walton, Variations on a Theme by Hindemith

Moeran, Violin Concerto

Horne, Daedalus in Flight (London première)

Elgar, Enigma-Variationen für Orchester, Op.36

Tasmin Little, Violine

BBC Philharmonic Orchestra

Juanjo Mena, Musikalische Leitung

Wagner and Strauss from Sarah Wegener and the BBC Philharmonic

Leighton Jones, 14th March

Celtic legends and dramatic landscapes fill Manchester’s Bridgewater Hall in an evening of emotional and reflective music under conductor Nicholas Carter.

****1

Watery worlds, rhythmic fire from Brauß and Hickox with the BBC

Leighton Jones, 7th February

Elisabeth Brauß excels in Ravel with the BBC Philharmonic and brings and unexpected encore.

****1

BBC Phil's Bluebeard's Castle eclipsed by Boulanger and Kodály

Peter Connors, 24th January

Anja Bihlmaier conducts the BBC Philharmonic in a moving D'un soir triste and joyful Dances of Galánta. Bluebeard's Castle, despite some fine things. feels less satisfying.

****1

Questions, answers and city nights: Storgårds and the BBC Philharmonic

Leighton Jones, 17th January

In three hugely different musical voices, John Storgårds with the BBC Philharmonic Orchestra move from the intimacy of Ives to the exhilaration of Adams, taking in Beethoven on their way.

****1

John Storgårds leads the BBC Philharmonic through Shostakovich

Rohan Shotton, 15th November

The BBC Phil's chief conductor led a relentless account of Shostakovich's Tenth Symphony, paired with Dvořák’s Cello Concerto.

****1

Thunderous Mahler from Elena Schwarz and the BBC Philharmonic

Rohan Shotton, 8th November

Elena Schwarz conducts the BBC Philharmonic Orchestra in Mahler's First Symphony, Debussy's La Mer and a rare outing for a trombone concerto.

****1

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Hazel Rowland

Hazel is in her final year reading music at Oxford University. As well being a classical music reviewer, she has written arts commentary for the Oxford Student and reviewed plays at the Edinburgh Fringe Festival. Her particular interests lies in early German Romantic music and in how classical music functions within contemporary popular culture. Follow her blog here.