Bachtrack logo
Termine
Alle VeranstaltungenKonzerteOperTanzKinderMeisterkurseWettbewerbeFestspiele
Kritiken
Alle KritikenKonzertkritikenOpernkritikenTanzkritiken
Artikel
Alle ArtikelReportagenInterviewsKommentarPlaylist
Neuigkeiten
Video
Video homeAlle VideosStreamsKonzerteOperTanzKinderMeisterkurseHerausgeber
Seite
Über unsKontaktVerlinkenNutzungsbedingungenCookiesDatenschutz
Young artists
Reise
TermineKritikenArtikelVideo

Rameau meets The Kardashians: Platée opens Garsington Opera's season

Samuel Boden (Platée)
© Julian Guidera
Ossian Huskinson (Jupiter) and Jonathan McGovern (Momus)
© Clive Barda
Robert Murray (Thespis) and ensemble
© Clive Barda
Samuel Boden (Platée)
© Julian Guidera
Holly Teague (Clarine)
© Julian Guidera
Von David Karlin, 30 Mai 2024
Laden, bitte warten...
Veranstaltung anzeigen
“more gold lamé costumes, bouffant hair and fake tans than is good for anyone’s health.”
Rezensierte Veranstaltung: Garsington Opera, High Wycombe, am 29 Mai 2024
Programm
Rameau, Platée
Darsteller
Garsington Opera
Paul Agnew, Musikalische Leitung
Louisa Muller, Regie
Christopher Oram, Bühnenbild, Kostüme
Malcolm Rippeth, Licht
The English Concert
Garsington Opera Chorus
Samuel Boden, Platée
Mireille Asselin, La Folie
Robert Murray, Thespis, Mercure
Henry Waddington, Cithéron, Satyr
Ossian Huskinson, Jupiter
Victoria Songwei Li, Amour
Jonathan McGovern, Momus
Holly Teague, Clarine
Holly Brown, Thalie
Annabel Kennedy, Junon
Rebecca Howell, Movement director
Weitere Oper Kritiken
A radically trad Fidelio at Garsington
Peter Quantrill, 27th June
Simple solutions prove the best in Beethoven's "problem" opera as John Cox's staging is revived at Garsington.
****1
Ravishing Rodelinda: Handel al fresco at Garsington Opera
Roy Westbrook, 13th June
Ruth Knight untangles Handel's Rodelinda, directing a new staging at Garsington which features a feast of fine singing. 
****1
Three card trick: compelling new Queen of Spades at Garsington
Roy Westbrook, 29th May
Jack Furness directs a terrific new Queen of Spades at Garsington – haunting and harrowing. 
****1
Garsington’s L’elisir d’amore: Dr Feelgood wins the day
David Karlin, 28th May
Simon Higlett’s exquisite sets and costumes give a backdrop to Donizetti’s frothiest of rom-coms.
****1
Madcap comedy from Verdi: Un giorno di regno at Garsington
David Karlin, 29th June
Christopher Alden, Chris Hopkins and an excellent cast send us a comic roller coaster ride with Verdi’s ultra-rarely performed second opera.
*****
Garsington Opera's new A Midsummer Night's Dream
Roy Westbrook, 16th June
In the first and last acts, ladies entered with a train still attached to a bolt of cloth, which was then cut to length by an attendant. Was this production brought to the stage in a great hurry, allowing no time for costume fittings? 
***11
Weitere Kritiken...
Kritiken von
Christopher OramGarsington OperaGarsington Opera ChorusGarsington Opera Youth CompanyHenry WaddingtonHolly BrownJean-Philippe RameauJonathan McGovernLouisa MullerMalcolm RippethMireille AsselinOssian HuskinsonPaul AgnewPlatéeRebecca HowellRobert MurraySamuel BodenThe English ConcertVictoria Songwei Li
Verwandte Artikel
Loading image...
Elim Chan: vom Zauberlehrling zur Proms Queen
Loading image...
Elena Stikhina über Salzburg, Tosca und die Realität des Sängerlebens
Loading image...
All in: Patricia Nolz über die Leidenschaft zum Singen
Loading image...
Der nächste furchtlose Sprung: Sonya Yoncheva
Mehr von David Karlin
Loading image...
Has it really been 30 years? Tharaud and Queyras celebrate at the Philharmonie de Paris
Loading image...
Siegfried at The Royal Opera: Kosky and Pappano continue to surprise and delight
Loading image...
All about mi : Víkingur Ólafsson conquers Paris
Loading image...
Pomp meets ping-pong: Nixon in China lands again in Paris
David Karlin
David Karlin
David is a co-founder of Bachtrack. He is a musical omnivore interested in almost all types of music, but with a particular love of Italian opera. You can contact him from this link.