Heavy symbolism in Kansas City's Roméo et Juliette

Andriana Chuchman (Juliette)

Ben Bliss (Roméo) and Johnathan McCullough (Mercutio)

Roméo et Juliette

Von Hilary Stroh, 10 März 2024

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Kauffman Center for the Performing Arts, Kansas City, am 9 März 2024

Gounod, Roméo et Juliette

Lyric Opera of Kansas City

Christopher Allen, Musikalische Leitung

Doug Scholz-Carlson, Regie, Bühnenkampf

Kansas City Symphony

Ben Bliss, Roméo

Andriana Chuchman, Juliette

Johnathan McCullough, Mercutio

Nicholas Newton, Frère Laurent

Ben Wager, Capulet

Benjamin Ruiz, Tybalt

Deep into the American psyche: Carlisle Floyd’s Of Mice and Men

Hilary Stroh, 1st May

Carlisle Floyd's operatic setting of John Steinbeck’s classic novella is given a new production in the composer's centenary year at the Lyric Opera of Kansas City.

****1

Porgy and Bess: Catfish Row arrives in Kansas City

Hilary Stroh, 28th February

Francesca Zambello's magnificent production of the Gershwins’ American epic comes to the Lyric Opera of Kansas City.

****1

Rockabilly meets Rossini: Cinderella at Lyric Opera of Kansas City

Hilary Stroh, 3rd October

Michael Shell's sparkling new production of La Cenerentola, built locally, opens the season at the Lyric Opera Kansas City.

****1

A big and bold Turandot in Kansas City

Hilary Stroh, 2nd May

Lyric Opera of Kansas City ends its season with Garnett Bruce's blockbuster production of Puccini's Turandot.

****1

It’s complicated: Georgia O’Keeffe and Alfred Stieglitz in letters

Hilary Stroh, 27th September

Based on letters between Georgia O’Keeffe and her husband, Alfred Stieglitz, Kevin Puts’ The Brightness of Light at the Lyric Opera of Kansas City portrays marriage as a collaborative work in progress.

****1

Pity and terror in Kansas City’s Cav & Pag

Hilary Stroh, 29th September

Shawna Lucey directs verismo's inseparable twins in the Lyric Opera of Kansas City's outstanding season opener.

*****

Weitere Kritiken...

Hilary Stroh

Hilary is an independent scholar and academic historian, based in DC. She has a background in violin, piano and ballet. Educated at Dublin and Cambridge, she has recently published her first two books.

Overblown roses and illuminated swords: heavy symbolism in Kansas City's Roméo et Juliette