Songs of Sunset and Dawn intonxicates at the Baltic Sea Festival

Von Simon Cummings, 03 September 2018

Laden, bitte warten...

Veranstaltung anzeigen

“a suspended sensibility, enabling the music to press on while floating”

Rezensierte Veranstaltung: Berwaldhallen, Stockholm, am 30 August 2018

Salonen, Piano Concerto

Šerkšnytė, Songs of Sunset and Dawn

Staatliches Sinfonieorchester Litauen

Swedish Radio Choir

Giedrė Šlekytė, Musikalische Leitung

Andrius Žlabys, Klavier

Lina Dambrauskaite, Sopran

Justina Gringytė, Mezzosopran

Edgaras Montvidas, Tenor

Raimundas Juzuitis, Bassbariton

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The celebrated cellist becomes the first instrumentalist to be presented the Birgit Nilsson Prize by His Majesty King Carl XVI Gustaf at the official Award Ceremony in Stockholm.

*****

Handel's Messiah streamed from the Baltic Sea Festival

Sandra Bowdler, 18th September

Reinhard Goebel conducts a perfectly fine, straight-down-the-line Messiah as Sweden re-engages with live audiences.

***11

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Tristan Labouret, 11th September

Le chef finlandais retrouve l'orchestre qui l'a lancé et il le lui rend bien, dirigeant un Oiseau de feu d'anthologie et accompagnant Peter Mattei avec talent. Miklós Perenyi paraît plus à la peine dans Dutilleux.

***11

A persuasively dark Don Giovanni from Swedish Radio

David Karlin, 14th June

Andrew Staples creates an austere, monochrome semi-staging that's strangely appropriate to the times; Peter Mattei and John Lundgren lead an excellent cast.

****1

Post-lockdown Sibelius from Daniel Harding and the Swedish RSO

Mark Valencia, 6th June

Although filled with beauty and sweetly played, the fragmentation of the symphony felt too disruptive.

***11

Eternal truths: Hillborg's film collaboration in Stockholm

Matthew Rye, 23rd August

A true audiovisual experience, Anders Hillborg's Aeterna, a collaboration with two Swedish film-makers, results in a compelling portrait of the fragility that underlies our relationship with our planet.

****1

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Simon Cummings

Simon Cummings is a composer, writer and researcher based in the Cotswolds. He composes instrumental and electronic music, exploring aspects of algorithmic composition, and has recently completed a Ph.D. in composition at the Birmingham Conservatoire under the supervision of Richard Causton and Howard Skempton. His musical tastes are ludicrously broad but are focused most on contemporary/avant-garde classical and electronic music. When not composing, he writes regularly about new music; Simon is the author of the contemporary music blog 5:4 (5against4.com), and regularly contributes articles for a variety of books, journals and websites. Follow him on Twitter @5against4.

Šerkšnytė's Songs of Sunset and Dawn intoxicates at the Baltic Sea Festival