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Uneasy music, utterly riveting: Mitsuko Uchida plays late Schubert

Von Benjamin Poore, 05 Dezember 2018

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“surgical control of texture, using the sustain pedal to generate blooms of melody”

Rezensierte Veranstaltung: Royal Festival Hall, London, am 4 Dezember 2018

Schubert, Klaviersonate Nr. 7 in Es-Dur, D568

Schubert, Klaviersonate Nr. 14 in a-Moll, D784

Schubert, Klaviersonate Nr. 20 in A-Dur, D959

Dame Mitsuko Uchida, Klavier

Virtuoser Schönberg mit dem Mahler Chamber Orchestra in Amsterdam

Michael Klier, 27th January

Dame Mitsuko Uchida und das Mahler Chamber Orchestra bringen Mozart und Schönberg ins Amsterdamer Concertgebouw.

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Eine Sternstunde mit Bruckner 7 und den Berliner Philharmonikern

Sebastian Urmoneit, 8th December

Andris Nelsons' Bruckner-Interpretation wurde zu einem farbenreichen Höhepunkt.

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Utopie des Tanzes: Mitsuko Uchida im Pierre Boulez Saal

Sebastian Urmoneit, 11th March

Mitsuko Uchida hielt im Pierre Boulez Saal die Zeit an.

*****

„Alle Menschen werden Brüder”: Sir Simon Rattle bei den Osterfestspielen Baden-Baden

David Pinedo, 21st March

Als Teil ihres Festivalprogramms boten Simon Rattle und seine starken Berliner Beethovens Neunte in einem monumentalen Konzertereignis.

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Peerless Beethoven from Dame Mitsuko Uchida at Wigmore Hall

Vishnu Bachani, 12th October

Dame Mitsuko Uchida brings forth with crystal clarity Beethoven's masterful counterpoint and harmony in a recital of his last three piano sonatas.

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Uchida’s Beethoven meets Shostakovich’s farewell at Carnegie Hall

Edward Sava-Segal, 23rd April

Two incongruent journeys conclude as Dame Mitsuko Uchida and the Boston Symphony meet in New York.

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Benjamin Poore

Benjamin Poore is a writer and critic. His book on psychoanalysis and literature is forthcoming in 2019. He has previously written about literature and culture for the Independent, the Times Literary Supplement, and Times Higher Education. In his spare time he tries to sing Schubert; he has a very patient teacher.