A punk, post-industrial Siegfried in Palermo

Von Edoardo Pelligra, 22 Dezember 2015

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Teatro Massimo, Palermo, am 20 Dezember 2015

Wagner, Siegfried

Teatro Massimo

Stefan-Anton Reck, Musikalische Leitung

Graham Vick, Regie

Richard Hudson, Bühnenbild, Kostüme

Meagan Miller, Brünnhilde

Deborah Leonetti, Waldvogel

Judit Kutasi, Erda

Peter Bronder, Mime

Christian Voigt, Siegfried

Sergei Leiferkus, Alberich

Michael Eder, Fafner

Thomas Gazheli, Der Wanderer

Orchestra del Teatro Massimo

A roof-raising Ernani in Palermo

Mark Pullinger, 26th February

Omer Meir Wellber conducts a spirited account of Verdi's early opera, semi-staged and live-streamed from the Teatro Massimo.

****1

Inevitable solitude in the Ricci/Forte's new diptych

James Imam, 18th November

Performing arts duo Ricci/Forte throw what feels like the entire directorial arsenal at this production.

****1

Shamelessly, age-defyingly garish: La Fille du régiment

David Karlin, 17th September

Franco Zeffirelli's Palermo La Fille du régiment wears its 55 years with style and elegance, lifted by outstanding singing from Desirée Rancatore and Celso Albelo.

****1

Elegischer Untergang eines Dichters: Tod in Venedig

Zenaida des Aubris, 19th March

Benjamin Brittens Tod in Venedig an der Deutschen Oper Berlin ist eine herausragende Neuproduktion von Graham Vick und Donald Runnicles.

****1

Juego de identidades en el Liceu: Un ballo in maschera

Maria Sánchez, 9th February

La última producción del tándem Vick-Spirei defiende una postura fluida entre géneros y convenciones; una puesta de escena bien calibrada por el temple verdiano de Riccardo Frizza.

*****

Keri-Lynn Wilson leads an irrepressible Lady Macbeth at the Met

Robert Levine, 29th September

Making her debut at the Metropolitan Opera, the wife of Met GM Peter Gelb crushes any talk of nepotism at the downbeat.

*****

Weitere Kritiken...

Edoardo Pelligra

Edoardo is a philosophy student in Torino, Italy. He has always been fond of classical music and operas and tries to combine his philosophical studies with music and especially philosophy of music. He is particularly enthusiastic about opera modern adaptations. Edoardo also maintains a strong passion for films, literature and travelling. He also writes reviews in Italian for Operaclick.

A punk, post-industrial Siegfried at the Teatro Massimo in Palermo