A punk, post-industrial Siegfried in Palermo

Por Edoardo Pelligra, 22 diciembre 2015

Descargando, espere, por favor...

Ver la programación

Crítica hecha desde Teatro Massimo, Palermo el 20 diciembre 2015

Wagner, Siegfried

Teatro Massimo

Stefan-Anton Reck, Dirección

Graham Vick, Dirección de escena

Richard Hudson, Diseño de escena, Diseño de vestuario

Meagan Miller, Brünnhilde

Deborah Leonetti, Waldvogel (the woodbird)

Judit Kutasi, Erda

Peter Bronder, Mime

Christian Voigt, Siegfried

Sergei Leiferkus, Alberich

Michael Eder, Fafner

Thomas Gazheli, Der Wanderer

Orchestra del Teatro Massimo

A roof-raising Ernani in Palermo

Mark Pullinger, 26th February

Omer Meir Wellber conducts a spirited account of Verdi's early opera, semi-staged and live-streamed from the Teatro Massimo.

****1

Inevitable solitude in the Ricci/Forte's new diptych

James Imam, 18th November

Performing arts duo Ricci/Forte throw what feels like the entire directorial arsenal at this production.

****1

Shamelessly, age-defyingly garish: La Fille du régiment

David Karlin, 17th September

Franco Zeffirelli's Palermo La Fille du régiment wears its 55 years with style and elegance, lifted by outstanding singing from Desirée Rancatore and Celso Albelo.

****1

Juego de identidades en el Liceu: Un ballo in maschera

Maria Sánchez, 9th February

La última producción del tándem Vick-Spirei defiende una postura fluida entre géneros y convenciones; una puesta de escena bien calibrada por el temple verdiano de Riccardo Frizza.

*****

La flauta mágica en Les Arts: Mozart como chirigota

Juan José Freijo, 1st December

La presentación de La flauta mágica de Vick en Les Arts prometía una intensidad subversiva que resultó tan solo una sucesión de clichés trasnochados.

**111

Keri-Lynn Wilson leads an irrepressible Lady Macbeth at the Met

Robert Levine, 29th September

Making her debut at the Metropolitan Opera, the wife of Met GM Peter Gelb crushes any talk of nepotism at the downbeat.

*****

Más críticas...

Edoardo Pelligra

Edoardo is a philosophy student in Torino, Italy. He has always been fond of classical music and operas and tries to combine his philosophical studies with music and especially philosophy of music. He is particularly enthusiastic about opera modern adaptations. Edoardo also maintains a strong passion for films, literature and travelling. He also writes reviews in Italian for Operaclick.

A punk, post-industrial Siegfried at the Teatro Massimo in Palermo