Steve Paxton's "Bound" at REDCAT in Los Angeles

In a posthumous premiere of his opera-novel Quicksand at The Kitchen in New York City, Ashley’s ingenuity was awakened by a troupe of artists who understand his work on a spiritual level.

Sneakers gave even the most challenging of balletic steps a freer, looser quality, as if the dancers were about to step into flight.

Rosanna Gamson/Worldwide's evening-length dance work is as much about the dance as the individuals in the dance.

While L-E-V performed House using utterly grotesque shapes, lines, and facial gestures, the unity, variety, repetition, and contrast of elements were eloquently sequenced and the audience was taken on a journey to another world, led by seven part-human-part-insect-beings.

Trajal Harrells moderne Choreographie erzählt die Geschichte des Romeo und sagt dabei mehr als tausend Worte...

Zwei Premieren von Marcos Morau und Yoann & Marie Bourgeois sowie Crytal Pites Paradestück Solo Echo sorgen für einen elektrisierenden Abend.