Steve Paxton's "Bound" at REDCAT in Los Angeles

In a posthumous premiere of his opera-novel Quicksand at The Kitchen in New York City, Ashley’s ingenuity was awakened by a troupe of artists who understand his work on a spiritual level.

Sneakers gave even the most challenging of balletic steps a freer, looser quality, as if the dancers were about to step into flight.

Rosanna Gamson/Worldwide's evening-length dance work is as much about the dance as the individuals in the dance.

While L-E-V performed House using utterly grotesque shapes, lines, and facial gestures, the unity, variety, repetition, and contrast of elements were eloquently sequenced and the audience was taken on a journey to another world, led by seven part-human-part-insect-beings.

Dutch National Ballet give an exemplary account of a quadruple bill comprised of the late Hans van Manen's works. It's a wonderful tribute to the great master choreographer.

Juliano Nunes’ Romeo and Juliet for Philadelphia Ballet works on all fronts: as a visual spectacle with highly original choreography and as a vehicle for cultivating memorable performances.