Sunny Strauss on Verbier's slopes

Von Mark Valencia, 23 Juli 2017

Laden, bitte warten...

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“a delicious song without words that was perfumed with hints of the operas to come”

Rezensierte Veranstaltung: Eglise de Verbier, Verbier, am 22 Juli 2017

Schubert, Rondo Brilliante for piano and violin in B minor, D.895

Beethoven, Violinsonate Nr. 7 c-Moll, Op. 30 Nr. 2

Strauss R., Sonate für Violine und Klavier in Es-Dur, Op.18

Renaud Capuçon, Violine

Denis Kozhukhin, Klavier

Gershwin contra Prokofiev con la Philharmonique du Luxembourg

Jorge Baeza Stanicic, 6th November

Gustavo Gimeno dirigió un concierto extremo en los afectos y sobresaliente en lo musical con Denis Kozhukhin como protagonista de la primera parte del programa.

****1

Variado y exitoso programa con Giancarlo Guerrero y la OST

Ramón Pereira Blanco, 27th September

Denis Kozhukhin ofreció una brillante interpretación del Tercer concierto para piano de Prokofiev con dirección de Giancarlo Guerrero.

*****

“Iron Man” Kozhukhin dominates in Prokofiev

Néstor Castiglione, 6th August

Denis Kozhukhin crushes Prokofiev's Third Piano Concerto, but guest conductor Ryan Bancroft is overwhelmed in Shostakovich 10.

***11

A suite of delights: Jörg Widmann and Lisa Batiashvili in Berlin

Elena Luporini, 10th April

A varied programme of chamber music charms the Berlin Phil, featuring works by Widmann and a premiere by young talent Tsotne Zedginidze.

****1

Vasily Petrenko delivers an Elgar 2 of rare distinction with the RPO

Alexander Hall, 27th March

Romanticism is the obvious link between Rachmaninov's Third Piano Concerto and Elgar's Second Symphony in this absorbing evening's entertainment supplied by Denis Kozhukhin, the RPO and its Music Director, Vasily Petrenko.

****1

Passionately committed Brahms from Janine Jansen and friends

Nick Boston, 21st December

Timothy Ridout, Daniel Blendulf and Denis Kozhukin join the Dutch violinist for intensely passionate performances of Brahms chamber works.

*****

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Mark Valencia

Mark has worked in arts journalism for four decades, both as a writer and as a French-English translator. Nowadays he focuses his energies on reviewing opera and music. Mark also writes for Opera magazine and for Musical America as a correspondent for Europe and the UK.

Sunny Strauss on Verbier's slopes from Renaud Capuçon and Denis Kozhukhin