Answered prayers: Mahler and Vivian Fung in Montreal

Von Cameron Kelsall, 02 Oktober 2020

Laden, bitte warten...

“Antoun summoned heft when needed, but he also crafted remarkably clean lines throughout”

Rezensierte Veranstaltung: Maison symphonique, Montreal, am 2 Oktober 2020

Fung, Prayer

Mahler, Das Lied von der Erde (arr. Schoenberg, Riehn)

Michèle Losier, Mezzosopran

Frédéric Antoun, Tenor

Orchestre Métropolitain de Montréal

Yannick Nézet-Séguin, Musikalische Leitung

Ohne Stil nichts los: Nézet-Séguins Debüt beim Festival Bach Montréal

Jens Klier, 6th December

Das vorzüglich auf Barock getrimmte Orchester trägt nicht über den sehr durchwachsenen Chor und die rätselhafte Deplatzierung der Solisten hinweg.

**111

Yannick Nézet-Séguin lädt zum Familienfest ein

Michael Klier, 29th November

Nézet-Séguin dirgiert sein Orchestre Métropolitain in insgesamt sieben Konzerten in Europa. In beiden Programmen wird auch jeweils ein Stück eines Komponisten aus Quebec gespielt.

***11

Marcano and Yun: Orchestre Métropolitain and emerging stars

Ian Cochrane, 12th November

Conductor Glass Marcano and pianist Tony Siqi Yun reimagined familiar works in a scintillating performance with Montreal's Orchestre Métropolitain.

****1

Dazzling Sibelius from Batiashvili and Nézet-Séguin in Montreal

Ian Cochrane, 19th October

A gamut of Nordic moods and colours are elicited in this all-Sibelius programme comprising the Violin Concerto as well as the Sixth and Seventh Symphonies.

****1

Nézet-Séguin and the Orchestre Métropolitain in Hamburg

Mengguang Huang, 26th June

Yannick Nézet-Séguin’s charismatic leadership and the Orchestre Métropolitain’s seamless unity brought Ravel, Saint-Saëns, and Tchaikovsky to life in a gripping, deeply expressive Hamburg performance.

*****

Ophélie steals the show in Opéra de Montréal's Hamlet

Ian Cochrane, 16th November

Sarah Dufresne dazzles as Ophélie in Opéra de Montréal's Hamlet along with mezzo Karine Deshayes and the Orchestre Métropolitain conducted by Jacques Lacombe.

***11

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Cameron Kelsall

Cameron Kelsall is a classical music critic and cultural reporter. He has written for Bachtrack since 2019, and his byline has appeared in many national and international classical music publications. Based in Philadelphia, he regularly travels around the United States for musical events. In addition to his career in journalism, Cameron also teaches in the Theatre Arts program at the University of Pennsylvania. He is also a certified sommelier and avid home cook. His favorite composer is Mahler. Twitter: @CameronPKelsall.