Berlin im Licht: Philharmonia sheds light on the cabaret scene

Von Matthew Rye, 24 September 2019

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Veranstaltung anzeigen

“a husky but warm voice over which every word made its mark”

Rezensierte Veranstaltung: Queen Elizabeth Hall, London, am 23 September 2019

Eisler, Songs (Mvt 1: Vorspiel)

Grosz, Baby in der Bar (Mvt 4: CHarleston)

Weill, Berlin im Licht

Eisler, Suite for Orchestra no. 3 "Kuhle Wampe", Op.26 (Mvt 4: Die Fabriken)

Eisler, Suite for Orchestra no. 3 "Kuhle Wampe", Op.26 (Mvt 2: Intermezzo)

Eisler, Der Graben

Schulhoff, Suite for Chamber Orchestra (Mvt 3: Tango)

Weill, Happy End: Ballade von der Höllen-Lili

Schulhoff, Suite for Chamber Orchestra (Mvt 6: Jazz)

Grosz, Baby in der Bar (Mvt 2: Tango)

Schulhoff, Sonata erotica, for female voice solo (Loré Lixenberg)

Weill, Suite panaméenne (Tempo di foxtrot)

Heymann, Irgendwo auf der Welt

Abraham, In meinen weißen Armen

Eisler, Suite für Orchester Nr. 2 „Niemandsland”, Op.24 (Mvt 3: Andante)

Abraham, Reich mir zum Abschied noch einmal die Hände

Holländer, Wenn ich mir was wünschen dürfte (When I presume to wish for something)

Heymann, An den Kanälen

Grosz, Baby in der Bar (End: Molto pesante)

Philharmonia Orchestra

Esa-Pekka Salonen, Musikalische Leitung

Dagmar Manzel, Sopran

Loré Lixenberg, Mezzosopran

Simon McBurney, Erzähler*in

Mahlers Neunte mit Salonen stimmt nachdenklich in der Elbphilharmonie

Stefan Pillhofer, 1st October

Nach einem reichen, erfüllenden Musikeindruck bleiben auch Fragen zur Ausführung und Interpretation zurück.

***11

Das Philharmonia Orchestra spielt mit entwaffnender Überzeugungskraft

Sebastian Urmoneit, 24th April

Das London Orchester unter Esa-Pekka Salonen zeigt bei seinem Gastspiel in Berlin alle Facetten Mahlers auf.

*****

Benedetti ablaze with the Philharmonia

Christopher Woodley, 19th April

As gifts to the Philarmonia's 80th birthday season, Nicola Benedetti gives a barnstorming account of Elgar's Violin Concerto before Cristian Mӑcelaru gets emotionally drained by La Mer.

*****

A Resurrection for the ages: Kent Nagano conducts the Philharmonia

Eleanor Knight, 19th March

Any performance of Mahler’s Resurrection Symphony is an event, but this mighty Philharmonia account at the Royal Festival Hall proves extra special.

*****

A brilliant UK premiere of John Adams’ After the Fall

David Karlin, 25th February

The Icelandic pianist and Finnish conductor make a superb case for John Adams' latest concerto; the Philharmonia play Ravel's Daphnis et Chloé strongly but don't convince completely.

****1

Renes replaces Runnicles in a remarkable Philharmonia Bruckner 8

Dominic Lowe, 19th February

Stepping in for Sir Donald Runnicles at very short notice, Lawrences Renes conducts the Philharmonia in a sleek and vivid reading of Bruckner's magisterial Eighth Symphony.

****1

Weitere Kritiken...

Matthew Rye

Matthew read music at Oxford and worked in music journalism for 30 years as a writer, critic and editor. He wrote numerous programme and CD booklet notes, spent 13 years as a Daily Telegraph critic, worked at BBC Music Magazine and was reviews editor of The Strad. He also wrote for The Wagner Journal and Opera and blogged at ferneklang.blogspot.co.uk. He was general editor of 1001 Classical Recordings You Must Hear Before You Die (Cassell Illustrated, 2007) and was the author of a new series of eBooks, Masterpieces of Music (Erudition).

Berlin im Licht: Philharmonia sheds light on Berlin’s 1920s cabaret scene