The tamest nightclub in Berlin: Salonen goes to Weimar

Von Kevin W Ng, 11 Juni 2019

Laden, bitte warten...

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“a remarkable vocal clarity and freshness throughout her range”

Rezensierte Veranstaltung: Royal Festival Hall, London, am 9 Juni 2019

Berg, Wozzeck: Drei Bruchstücke für Sopran und Orchester

Hindemith, Concerto for Orchestra, Op. 38

Weill, Die Dreigroschenoper (The Threepenny Opera): excerpts

Schostakowitsch, The Golden Age: Revolutionary Finale

Angela Denoke, Sopran

Philharmonia Orchestra

Esa-Pekka Salonen, Musikalische Leitung

Mahlers Neunte mit Salonen stimmt nachdenklich in der Elbphilharmonie

Stefan Pillhofer, 1st October

Nach einem reichen, erfüllenden Musikeindruck bleiben auch Fragen zur Ausführung und Interpretation zurück.

***11

Das Philharmonia Orchestra spielt mit entwaffnender Überzeugungskraft

Sebastian Urmoneit, 24th April

Das London Orchester unter Esa-Pekka Salonen zeigt bei seinem Gastspiel in Berlin alle Facetten Mahlers auf.

*****

A Resurrection for the ages: Kent Nagano conducts the Philharmonia

Eleanor Knight, 19th March

Any performance of Mahler’s Resurrection Symphony is an event, but this mighty Philharmonia account at the Royal Festival Hall proves extra special.

*****

A brilliant UK premiere of John Adams’ After the Fall

David Karlin, 25th February

The Icelandic pianist and Finnish conductor make a superb case for John Adams' latest concerto; the Philharmonia play Ravel's Daphnis et Chloé strongly but don't convince completely.

****1

Renes replaces Runnicles in a remarkable Philharmonia Bruckner 8

Dominic Lowe, 19th February

Stepping in for Sir Donald Runnicles at very short notice, Lawrences Renes conducts the Philharmonia in a sleek and vivid reading of Bruckner's magisterial Eighth Symphony.

****1

Karpman’s opera Balls tells a great story, but overshoots the line

David Karlin, 20th November

An entertaining portrayal of the 1973 “Battle of the Sexes” tennis match between Billie Jean King and Bobby Riggs is marred by ham-fisted amplification.

**111

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Kevin W Ng

Kevin writes about music and culture, with a focus on opera. Originally trained as a violinist, he has a particular interest in 20th-century music. He is currently based in New York City.