Kurzprofil
| Adresse | 450 West 37 Street (between 9th and 10th Avenues) New York City NY 10018 Vereinigte Staaten |
| Google maps | 40° 45' 17.658" N 73° 59' 25.256" W |
Veranstaltungstippsmehr...
New York CitySWR Experimentalstudio
Andre: ...selig ist...
Michael Acker; Joachim Haas; Ning Yu; Experimentalstudio des SWR
New York CitySWR Experimentalstudio
Sheehan, Manoury
Michael Acker; Joachim Haas; Sarah Saviet; Ty Bouque
New York CityAmerican Modern Opera Company: Hersch, Sciarrino
Sciarrino, Hersch
Ty Bouque; American Modern Opera Company; Jonny Allen; Miranda Cuckson
Neue Kritikenmehr...
Kinan Azmeh offers a sampling of delights with St Luke’s
As part of St Luke’s ‘Visionary Sounds’ series, Kinan Azmeh joined the chamber ensemble to play a variety of his own compositions.
Minimalism with a beating heart: Julius Eastman's Femenine
The spirit of the St Luke's Chamber Ensemble makes for a successful performance of Julius Eastman's 1974 composition Femenine.
From Bali to New York City with the marimbas of Sixtrum Percussion
Sixtrum’s program – framed by two very different composers but just as much by the big wooden instruments that filled the staging ground – is pristine both In sight and sound.
Holding patterns and happy disruptions from New York's TAK ensemble
The name given to TAK's program was “Holding”. Were we being cared for or were we simply stuck waiting? Was this a respite or a reserve?
Wet Ink Ensemble at Time:Spans festival
World premieres by ensemble members Alex Mincek and Kate Soper wear their intellects on their sleeves.
Three premieres – heard twice – in New York
It can be a pleasure to hear an unfamiliar piece twice in the same program. Here, we heard three premieres fresh and then repeated after composer comments.
St Luke's Chamber Ensemble finds the joy in Julius Eastman
In their “Visionary Sounds” concert, the ensemble lets Eastman's Stay On It fall into abandon at times... but never without a plan.
An uneven mix with animation by the St Luke’s Chamber Ensemble
A program of works for soloists and small ensembles proves aurally and visually taxing, emotionally and intellectually exhausting, all in fairly enticing ways.