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Venue: DiMenna Center for Classical Music: Mary Flagler Cary Hall, New York City

Fact file
Address450 West 37 Street (between 9th and 10th Avenues)
New York City
NY 10018
United States
Google maps40° 45' 17.658" N 73° 59' 25.256" W
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From Bali to New York City with the marimbas of Sixtrum Percussion

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Sixtrum’s program – framed by two very different composers but just as much by the big wooden instruments that filled the staging ground – is pristine both In sight and sound.

****1
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Holding patterns and happy disruptions from New York's TAK ensemble

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The name given to TAK's program was “Holding”. Were we being cared for or were we simply stuck waiting? Was this a respite or a reserve? 

****1
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Wet Ink Ensemble at Time:Spans festival

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World premieres by ensemble members Alex Mincek and Kate Soper wear their intellects on their sleeves. 
*****
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Three premieres – heard twice – in New York

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It can be a pleasure to hear an unfamiliar piece twice in the same program. Here, we heard three premieres fresh and then repeated after composer comments. 
***11
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St Luke's Chamber Ensemble finds the joy in Julius Eastman

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In their “Visionary Sounds” concert, the ensemble lets Eastman's Stay On It fall into abandon at times... but never without a plan. 

****1
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An uneven mix with animation by the St Luke’s Chamber Ensemble

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A program of works for soloists and small ensembles proves aurally and visually taxing, emotionally and intellectually exhausting, all in fairly enticing ways.

***11
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JACK slows time at Time:Spans

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An insistently slow premiere by Eric Wubbels is followed by a longer work by Catherine Lamb which makes the former sound almost like a calypso. 
*****
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A sonic meadow, with unusual reeds, at the Time:Spans festival

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San Francisco’s Splinter Reeds, echoing the traditional wind quintet but eschews the non-reed instruments, makes its second ever New York City appearance, part of the Earle Brown Foundation’s Time:Spans Festival.  

***11
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