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Salle: DiMenna Center for Classical Music: Mary Flagler Cary Hall, New York

Fichier de données
Adresse450 West 37 Street (between 9th and 10th Avenues)
New York
NY 10018
États-Unis
Google maps40° 45' 17.658" N 73° 59' 25.256" W
décembre 2026
lun.mar.mer.jeu.ven.sam.dim.
30010203040506
07080910111213
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04050607080910
Soirée
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Événements à venirEn voir plus...

New YorkHildegard von Bingen and Sofia Gubaidulina

St. Luke’s Chamber Ensemble
von Bingen, Goubaïdoulina, Snider
St Luke's Chamber Ensemble; Megan Moore
Critiques récentesEn voir plus...

Time stands still: Sciarrino and Hersch at Time:Spans

Ty Bouque © Alex Matthews

Salvatore Sciarrino's Stupori is paired with Michael Hersch's Carrion-Miles to Purgatory in performances by Boston's American Modern Opera Company. 

Electronic effects used to varying affect at Time:Spans

GrauSchumacher © Thomas Fichter

In the SWR Experimentalstudio's contribution to Time:Spans, Philippe Manoury’s piano duo with real-time processing works better with the eyes closed. 

The Sturm und Drang of Wolfgang Rihm opens 2026 Time:Spans Festival

Talea Ensemble © H. Paul Moon | Zen Violence Films
The rush of Shostakovich, the tension of Bernard Hermann and the sound of a dozen practice rooms fall together like schizophrenic clockwork in the composer's Jagden und Formen.

Kinan Azmeh offers a sampling of delights with St Luke’s

Kinan Azmeh © Grace Copeland
As part of St Luke’s ‘Visionary Sounds’ series, Kinan Azmeh joined the chamber ensemble to play a variety of his own compositions.

Minimalism with a beating heart: Julius Eastman's Femenine

Ariadne Greif © Fadi Kheir

The spirit of the St Luke's Chamber Ensemble makes for a successful performance of Julius Eastman's 1974 composition Femenine.

From Bali to New York City with the marimbas of Sixtrum Percussion

Sixtrum Percussion Ensemble © Thomas Fichter

Sixtrum’s program – framed by two very different composers but just as much by the big wooden instruments that filled the staging ground – is pristine both In sight and sound.

Holding patterns and happy disruptions from New York's TAK ensemble

TAK ensemble © AnEarful

The name given to TAK's program was “Holding”. Were we being cared for or were we simply stuck waiting? Was this a respite or a reserve? 

Wet Ink Ensemble at Time:Spans festival

Kate Soper with Wet Ink Ensemble © H Paul Moon
World premieres by ensemble members Alex Mincek and Kate Soper wear their intellects on their sleeves.